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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Aleksandra_Krutikova</id>
	<title>Aleksandra Krutikova - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Aleksandra_Krutikova"/>
	<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Aleksandra_Krutikova&amp;action=history"/>
	<updated>2026-06-16T04:54:47Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Aleksandra_Krutikova&amp;diff=70629&amp;oldid=prev</id>
		<title>Brett at 20:44, 31 March 2026</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Aleksandra_Krutikova&amp;diff=70629&amp;oldid=prev"/>
		<updated>2026-03-31T20:44:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:44, 31 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Krutikova studied in Paris with François Wartel (1806-1882), then in [[Saint Petersburg]], where she graduated from Henriette Nissen-Saloman&amp;#039;s classes at the conservatory in 1872. She made her stage debut the following year at the Mariinsky Theatre, as Vanya in [[Glinka]]&amp;#039;s &amp;#039;&amp;#039;A Life for the Tsar&amp;#039;&amp;#039;. After four years with the Imperial Theatre company in the Russian capital, she toured Russia and abroad, before joining the Bolshoi Theatre in [[Moscow]] in 1880, where she remained until 1901. Her husband was the baritone [[Bogomir Korsov]], whom she often appeared with in opera productions.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Krutikova studied in Paris with François Wartel (1806-1882), then in [[Saint Petersburg]], where she graduated from Henriette Nissen-Saloman&amp;#039;s classes at the conservatory in 1872. She made her stage debut the following year at the Mariinsky Theatre, as Vanya in [[Glinka]]&amp;#039;s &amp;#039;&amp;#039;A Life for the Tsar&amp;#039;&amp;#039;. After four years with the Imperial Theatre company in the Russian capital, she toured Russia and abroad, before joining the Bolshoi Theatre in [[Moscow]] in 1880, where she remained until 1901. Her husband was the baritone [[Bogomir Korsov]], whom she often appeared with in opera productions.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She premiered the role of Morozova in [[The Oprichnik]], and appeared as Olga in [[Yevgeny Onegin]], Lyubov Kochubey in [[Mazepa]], and the Countess in [[The Queen of Spades]] in the first performances of those operas in [[Moscow]]. Tchaikovsky rated her highly as an artist, and even intervened when she was fired from the Bolshoi Theatre in 1887, writing that &amp;quot;It is difficult to describe the extent to which this is a heavy loss for Moscow, and I am utterly bewildered as to how such a delightful, talented and intelligent artist as Krutikova could be replaced&amp;quot; &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She premiered the role of Morozova in [[The Oprichnik]], and appeared as Olga in [[Yevgeny Onegin]], Lyubov Kochubey in [[Mazepa]], and the Countess in [[The Queen of Spades]] in the first &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;professional &lt;/ins&gt;performances of those operas in [[Moscow]]. Tchaikovsky rated her highly as an artist, and even intervened when she was fired from the Bolshoi Theatre in 1887, writing that &amp;quot;It is difficult to describe the extent to which this is a heavy loss for Moscow, and I am utterly bewildered as to how such a delightful, talented and intelligent artist as Krutikova could be replaced&amp;quot; &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dedications==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dedications==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Aleksandra_Krutikova&amp;diff=70628&amp;oldid=prev</id>
		<title>Brett at 20:42, 31 March 2026</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Aleksandra_Krutikova&amp;diff=70628&amp;oldid=prev"/>
		<updated>2026-03-31T20:42:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:42, 31 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Krutikova studied in Paris with François Wartel (1806-1882), then in [[Saint Petersburg]], where she graduated from Henriette Nissen-Saloman&amp;#039;s classes at the conservatory in 1872. She made her stage debut the following year at the Mariinsky Theatre, as Vanya in [[Glinka]]&amp;#039;s &amp;#039;&amp;#039;A Life for the Tsar&amp;#039;&amp;#039;. After four years with the Imperial Theatre company in the Russian capital, she toured Russia and abroad, before joining the Bolshoi Theatre in [[Moscow]] in 1880, where she remained until 1901. Her husband was the baritone [[Bogomir Korsov]], whom she often appeared with in opera productions.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Krutikova studied in Paris with François Wartel (1806-1882), then in [[Saint Petersburg]], where she graduated from Henriette Nissen-Saloman&amp;#039;s classes at the conservatory in 1872. She made her stage debut the following year at the Mariinsky Theatre, as Vanya in [[Glinka]]&amp;#039;s &amp;#039;&amp;#039;A Life for the Tsar&amp;#039;&amp;#039;. After four years with the Imperial Theatre company in the Russian capital, she toured Russia and abroad, before joining the Bolshoi Theatre in [[Moscow]] in 1880, where she remained until 1901. Her husband was the baritone [[Bogomir Korsov]], whom she often appeared with in opera productions.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She premiered &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;many roles in Tchaikovsky&amp;#039;s operas: &lt;/del&gt;Morozova in [[The Oprichnik]], Olga in [[Yevgeny Onegin]], Lyubov Kochubey in [[Mazepa]], and the Countess in [[The Queen of Spades]]. Tchaikovsky rated her highly as an artist, and even intervened when she was fired from the Bolshoi Theatre in 1887, writing that &amp;quot;It is difficult to describe the extent to which this is a heavy loss for Moscow, and I am utterly bewildered as to how such a delightful, talented and intelligent artist as Krutikova could be replaced&amp;quot; &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She premiered &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the role of &lt;/ins&gt;Morozova in [[The Oprichnik]], &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and appeared as &lt;/ins&gt;Olga in [[Yevgeny Onegin]], Lyubov Kochubey in [[Mazepa]], and the Countess in [[The Queen of Spades&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] in the first performances of those operas in [[Moscow&lt;/ins&gt;]]. Tchaikovsky rated her highly as an artist, and even intervened when she was fired from the Bolshoi Theatre in 1887, writing that &amp;quot;It is difficult to describe the extent to which this is a heavy loss for Moscow, and I am utterly bewildered as to how such a delightful, talented and intelligent artist as Krutikova could be replaced&amp;quot; &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dedications==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dedications==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Aleksandra_Krutikova&amp;diff=65763&amp;oldid=prev</id>
		<title>Tony at 11:12, 4 March 2024</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Aleksandra_Krutikova&amp;diff=65763&amp;oldid=prev"/>
		<updated>2024-03-04T11:12:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:12, 4 March 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Krutikova studied in Paris with François Wartel (1806-1882), then in [[Saint Petersburg]], where she graduated from Henriette Nissen-Saloman&amp;#039;s classes at the conservatory in 1872. She made her stage debut the following year at the Mariinsky Theatre, as Vanya in [[Glinka]]&amp;#039;s &amp;#039;&amp;#039;A Life for the Tsar&amp;#039;&amp;#039;. After four years with the Imperial Theatre company in the Russian capital, she toured Russia and abroad, before joining the Bolshoi Theatre in [[Moscow]] in 1880, where she remained until 1901. Her husband was the baritone [[Bogomir Korsov]], whom she often appeared with in opera productions.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Krutikova studied in Paris with François Wartel (1806-1882), then in [[Saint Petersburg]], where she graduated from Henriette Nissen-Saloman&amp;#039;s classes at the conservatory in 1872. She made her stage debut the following year at the Mariinsky Theatre, as Vanya in [[Glinka]]&amp;#039;s &amp;#039;&amp;#039;A Life for the Tsar&amp;#039;&amp;#039;. After four years with the Imperial Theatre company in the Russian capital, she toured Russia and abroad, before joining the Bolshoi Theatre in [[Moscow]] in 1880, where she remained until 1901. Her husband was the baritone [[Bogomir Korsov]], whom she often appeared with in opera productions.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She premiered many roles in Tchaikovsky&amp;#039;s operas: Morozova in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;[[The Oprichnik]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;, Olga in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;[[Yevgeny Onegin]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;, Lyubov Kochubey in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;[[Mazepa]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;, and the Countess in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;[[The Queen of Spades]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;. Tchaikovsky rated her highly as an artist, and even intervened when she was fired from the Bolshoi Theatre in 1887, writing that &amp;quot;It is difficult to describe the extent to which this is a heavy loss for Moscow, and I am utterly bewildered as to how such a delightful, talented and intelligent artist as Krutikova could be replaced&amp;quot; &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She premiered many roles in Tchaikovsky&amp;#039;s operas: Morozova in [[The Oprichnik]], Olga in [[Yevgeny Onegin]], Lyubov Kochubey in [[Mazepa]], and the Countess in [[The Queen of Spades]]. Tchaikovsky rated her highly as an artist, and even intervened when she was fired from the Bolshoi Theatre in 1887, writing that &amp;quot;It is difficult to describe the extent to which this is a heavy loss for Moscow, and I am utterly bewildered as to how such a delightful, talented and intelligent artist as Krutikova could be replaced&amp;quot; &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dedications==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Dedications==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Aleksandra_Krutikova&amp;diff=63322&amp;oldid=prev</id>
		<title>Brett: Created page with &quot;{{picture|file=Krutikova_Aleksandra.jpg|caption=&#039;&#039;&#039;Aleksandra Krutikova&#039;&#039;&#039; (1851-1919)}} Russian singer (mezzo-soprano) (b. 1851 in Pochep, near Bryansk; d. 1919 in Moscow), born &#039;&#039;&#039;&#039;&#039;Aleksandra Pavlovna Krutikova&#039;&#039;&#039;&#039;&#039; (Александра Павловна Крутикова).  Krutikova studied in Paris with François Wartel (1806-1882), then in Saint Petersburg, where she graduated from Henriette Nissen-Saloman&#039;s classes at the conservatory in 1872. She made h...&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Aleksandra_Krutikova&amp;diff=63322&amp;oldid=prev"/>
		<updated>2023-09-09T15:31:50Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{picture|file=Krutikova_Aleksandra.jpg|caption=&amp;#039;&amp;#039;&amp;#039;Aleksandra Krutikova&amp;#039;&amp;#039;&amp;#039; (1851-1919)}} Russian singer (mezzo-soprano) (b. 1851 in Pochep, near Bryansk; d. 1919 in &lt;a href=&quot;/pages/Moscow&quot; title=&quot;Moscow&quot;&gt;Moscow&lt;/a&gt;), born &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Aleksandra Pavlovna Krutikova&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Александра Павловна Крутикова).  Krutikova studied in Paris with François Wartel (1806-1882), then in &lt;a href=&quot;/pages/Saint_Petersburg&quot; title=&quot;Saint Petersburg&quot;&gt;Saint Petersburg&lt;/a&gt;, where she graduated from Henriette Nissen-Saloman&amp;#039;s classes at the conservatory in 1872. She made h...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{picture|file=Krutikova_Aleksandra.jpg|caption=&amp;#039;&amp;#039;&amp;#039;Aleksandra Krutikova&amp;#039;&amp;#039;&amp;#039; (1851-1919)}}&lt;br /&gt;
Russian singer (mezzo-soprano) (b. 1851 in Pochep, near Bryansk; d. 1919 in [[Moscow]]), born &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Aleksandra Pavlovna Krutikova&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Александра Павловна Крутикова).&lt;br /&gt;
&lt;br /&gt;
Krutikova studied in Paris with François Wartel (1806-1882), then in [[Saint Petersburg]], where she graduated from Henriette Nissen-Saloman&amp;#039;s classes at the conservatory in 1872. She made her stage debut the following year at the Mariinsky Theatre, as Vanya in [[Glinka]]&amp;#039;s &amp;#039;&amp;#039;A Life for the Tsar&amp;#039;&amp;#039;. After four years with the Imperial Theatre company in the Russian capital, she toured Russia and abroad, before joining the Bolshoi Theatre in [[Moscow]] in 1880, where she remained until 1901. Her husband was the baritone [[Bogomir Korsov]], whom she often appeared with in opera productions.&lt;br /&gt;
&lt;br /&gt;
She premiered many roles in Tchaikovsky&amp;#039;s operas: Morozova in &amp;#039;&amp;#039;[[The Oprichnik]]&amp;#039;&amp;#039;, Olga in &amp;#039;&amp;#039;[[Yevgeny Onegin]]&amp;#039;&amp;#039;, Lyubov Kochubey in &amp;#039;&amp;#039;[[Mazepa]]&amp;#039;&amp;#039;, and the Countess in &amp;#039;&amp;#039;[[The Queen of Spades]]&amp;#039;&amp;#039;. Tchaikovsky rated her highly as an artist, and even intervened when she was fired from the Bolshoi Theatre in 1887, writing that &amp;quot;It is difficult to describe the extent to which this is a heavy loss for Moscow, and I am utterly bewildered as to how such a delightful, talented and intelligent artist as Krutikova could be replaced&amp;quot; &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
==Dedications==&lt;br /&gt;
Tchaikovsky dedicated two of his songs to Aleksandra Krutikova:&lt;br /&gt;
* &amp;#039;&amp;#039;Reconciliation&amp;#039;&amp;#039; — No. 1 of the [[Six Romances, Op. 25]] (1875)&lt;br /&gt;
* &amp;#039;&amp;#039;Only You Alone&amp;#039;&amp;#039; — No. 6 of the [[Six Romances, Op. 57]] (1884).&lt;br /&gt;
&lt;br /&gt;
==Correspondence with Tchaikovsky==&lt;br /&gt;
No letters from Tchaikovsky to Aleskandra Krutikova are known, but one letter from Krutikova to the composer, dating from 19/31 January 1887, is preserved in the {{RUS-KLč}} at [[Klin]] (a{{sup|4}}, No. 2002).&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* [[wikipedia:ru:Крутикова,_Александра_Павловна|Wikipedia]] (Russian)&lt;br /&gt;
&lt;br /&gt;
==Notes and References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;[[Letter 3255]] to [[Ivan Vsevolozhsky]], 13/25 May 1887.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:People|Krutikova, Aleksandra]]&lt;br /&gt;
[[Category:Dedicatees|Krutikova, Aleksandra]]&lt;br /&gt;
[[Category:Singers|Krutikova, Aleksandra]]&lt;br /&gt;
[[Category:Correspondents|Krutikova, Aleksandra]]&lt;br /&gt;
__NOTOC__&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
</feed>