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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Diaries_%28April_1891%29</id>
	<title>Diaries (April 1891) - Revision history</title>
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	<updated>2026-06-20T05:47:30Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Diaries_(April_1891)&amp;diff=66834&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Russian Gazette&quot; to &quot;Russian Register&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Diaries_(April_1891)&amp;diff=66834&amp;oldid=prev"/>
		<updated>2024-05-27T09:28:57Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Russian Gazette&amp;quot; to &amp;quot;Russian Register&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:28, 27 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l120&quot;&gt;Line 120:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 120:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Г. Ромейко присылает мне ежедневно ворохи газетных вырезок обо мне. Все они без исключения хвалебны в высшей степени. 3-ю сюиту превозносят до небес, но едва ли не ещё больше—мое дирижированье. Неужели я в самом деле так хорошо дирижирую? Или Американцы пересаливают?!!!&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Г. Ромейко присылает мне ежедневно ворохи газетных вырезок обо мне. Все они без исключения хвалебны в высшей степени. 3-ю сюиту превозносят до небес, но едва ли не ещё больше—мое дирижированье. Неужели я в самом деле так хорошо дирижирую? Или Американцы пересаливают?!!!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Translated text=It is beginning to become difficult to find the time for letters and this journal. I am besieged by visitors: reporters, composers, libretto authors, including one elderly man who brought me his opera &amp;#039;&amp;#039;Wlasta&amp;#039;&amp;#039; and moved me very much with a story about the death of his only son; but above all there are whole piles of letters from all corners of America with requests for &amp;#039;&amp;#039;autographs&amp;#039;&amp;#039;, which I answer very nicely. I was at the rehearsal of the [[Piano Concerto No. 1|piano concerto]]. I was angry at &amp;#039;&amp;#039;[[Damrosch]]&amp;#039;&amp;#039;, who takes all the best times for himself, leaving me the remnants for rehearsals. However, the rehearsal went fine. Having changed clothes at home, I had lunch alone at 3 o&amp;#039;clock. I went to &amp;#039;&amp;#039;Knabe&amp;#039;s&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note79&amp;quot;/&amp;gt;. He and [[Mayer]] were at &amp;#039;&amp;#039;Martinelli&amp;#039;s&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note80&amp;quot;/&amp;gt; (where I met them with a group drinking champagne); I thanked them both for the superb gift they had given me yesterday (the Statue of Liberty). Just how can I smuggle this thing into Russia? &amp;lt;ref name=&amp;quot;note81&amp;quot;/&amp;gt; I hurried home. There were endless visitors, including two Russian ladies. The first of them, Mrs &amp;#039;&amp;#039;MacGahan&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note82&amp;quot;/&amp;gt;, was the widow of a famous reporter during the war of 1877, and is herself a correspondent for the &amp;#039;&amp;#039;Russian &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gazette&lt;/del&gt;&amp;#039;&amp;#039; and the &amp;#039;&amp;#039;Northern Herald&amp;#039;&amp;#039;. As this was my first opportunity here to have a heartfelt conversation with a Russian woman, something shameful occurred. Tears suddenly came into my eyes, my voice trembled, and I was unable to prevent myself from sobbing. I ran into another room, and did not emerge for some time. It burns me with shame to recollect this unexpected incident. The other lady—Mrs &amp;#039;&amp;#039;Neftel&amp;#039;&amp;#039;—spoke about her husband, Doctor &amp;#039;&amp;#039;Neftel&amp;#039;&amp;#039;, as though everyone should know who he was &amp;lt;ref name=&amp;quot;note83&amp;quot;/&amp;gt;. But I did not know. There was also Mr &amp;#039;&amp;#039;Weiner&amp;#039;&amp;#039;, president of a chamber music society (with a flute), with whom I had corresponded from [[Tiflis]] &amp;lt;ref name=&amp;quot;note84&amp;quot;/&amp;gt;. I slept a little before the concert &amp;lt;ref name=&amp;quot;note85&amp;quot;/&amp;gt;. The little choruses went well, but would have gone better had I not been so flustered and nervous. I sat in boxes with &amp;#039;&amp;#039;[[Reno]]&amp;#039;&amp;#039; and with &amp;#039;&amp;#039;Hyde&amp;#039;&amp;#039; during the performance of &amp;#039;&amp;#039;[[Damrosch]]&amp;#039;s father&amp;#039;s&amp;#039;&amp;#039; splendid oratorio &amp;#039;&amp;#039;Sulamith&amp;#039;&amp;#039;. I walked to supper at &amp;#039;&amp;#039;[[Damrosch]]&amp;#039;s&amp;#039;&amp;#039; with &amp;#039;&amp;#039;[[Reno]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Carnegie&amp;#039;&amp;#039;. This little multi-millionaire is terribly indebted to me, and is forever talking about my invitation for next year. Supper at &amp;#039;&amp;#039;[[Damrosch]]&amp;#039;s&amp;#039;&amp;#039; was very original: the men went to the table by themselves, while the poor ladies were left nearby. Supper was plentiful, but the cuisine was American, i.e. exceptionally unpleasant. Much champagne was drunk. I sat next to the host and to the conductor &amp;#039;&amp;#039;Dannreuther&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note86&amp;quot;/&amp;gt;. During the whole two hours I spent talking with him about his brother, he must either have thought be mad or a desperate liar. He repeatedly gasped with surprise and appeared perplexed. It turned out that in my memory I had confused the pianist &amp;#039;&amp;#039;[[Edward Dannreuther|Dannreuther]]&amp;#039;&amp;#039; with the pianist &amp;#039;&amp;#039;[[Hartvigson]]&amp;#039;&amp;#039;. My absent-mindedness is becoming intolerable, and is indicative of my advancing age. Incidentally, everyone at dinner was surprised when I said that I had turned 51 years yesterday. &amp;#039;&amp;#039;Carnegie&amp;#039;&amp;#039; was particularly astonished: they all thought (except those familiar with my biography) that I was far older.  Have I grown so old recently? Very probably. I feel that something within me is falling apart. I was driven home in &amp;#039;&amp;#039;Carnegie&amp;#039;s&amp;#039;&amp;#039; carriage. Still affected by the discussion about my old age, all night I had terrible dreams [...] &amp;lt;ref name=&amp;quot;note87&amp;quot;/&amp;gt;. I was tumbling uncontrollably  down a cliff face into the sea, clinging fast to a tiny ledge. I believe that all this was an echo of the evening&amp;#039;s discussion about my age.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Translated text=It is beginning to become difficult to find the time for letters and this journal. I am besieged by visitors: reporters, composers, libretto authors, including one elderly man who brought me his opera &amp;#039;&amp;#039;Wlasta&amp;#039;&amp;#039; and moved me very much with a story about the death of his only son; but above all there are whole piles of letters from all corners of America with requests for &amp;#039;&amp;#039;autographs&amp;#039;&amp;#039;, which I answer very nicely. I was at the rehearsal of the [[Piano Concerto No. 1|piano concerto]]. I was angry at &amp;#039;&amp;#039;[[Damrosch]]&amp;#039;&amp;#039;, who takes all the best times for himself, leaving me the remnants for rehearsals. However, the rehearsal went fine. Having changed clothes at home, I had lunch alone at 3 o&amp;#039;clock. I went to &amp;#039;&amp;#039;Knabe&amp;#039;s&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note79&amp;quot;/&amp;gt;. He and [[Mayer]] were at &amp;#039;&amp;#039;Martinelli&amp;#039;s&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note80&amp;quot;/&amp;gt; (where I met them with a group drinking champagne); I thanked them both for the superb gift they had given me yesterday (the Statue of Liberty). Just how can I smuggle this thing into Russia? &amp;lt;ref name=&amp;quot;note81&amp;quot;/&amp;gt; I hurried home. There were endless visitors, including two Russian ladies. The first of them, Mrs &amp;#039;&amp;#039;MacGahan&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note82&amp;quot;/&amp;gt;, was the widow of a famous reporter during the war of 1877, and is herself a correspondent for the &amp;#039;&amp;#039;Russian &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Register&lt;/ins&gt;&amp;#039;&amp;#039; and the &amp;#039;&amp;#039;Northern Herald&amp;#039;&amp;#039;. As this was my first opportunity here to have a heartfelt conversation with a Russian woman, something shameful occurred. Tears suddenly came into my eyes, my voice trembled, and I was unable to prevent myself from sobbing. I ran into another room, and did not emerge for some time. It burns me with shame to recollect this unexpected incident. The other lady—Mrs &amp;#039;&amp;#039;Neftel&amp;#039;&amp;#039;—spoke about her husband, Doctor &amp;#039;&amp;#039;Neftel&amp;#039;&amp;#039;, as though everyone should know who he was &amp;lt;ref name=&amp;quot;note83&amp;quot;/&amp;gt;. But I did not know. There was also Mr &amp;#039;&amp;#039;Weiner&amp;#039;&amp;#039;, president of a chamber music society (with a flute), with whom I had corresponded from [[Tiflis]] &amp;lt;ref name=&amp;quot;note84&amp;quot;/&amp;gt;. I slept a little before the concert &amp;lt;ref name=&amp;quot;note85&amp;quot;/&amp;gt;. The little choruses went well, but would have gone better had I not been so flustered and nervous. I sat in boxes with &amp;#039;&amp;#039;[[Reno]]&amp;#039;&amp;#039; and with &amp;#039;&amp;#039;Hyde&amp;#039;&amp;#039; during the performance of &amp;#039;&amp;#039;[[Damrosch]]&amp;#039;s father&amp;#039;s&amp;#039;&amp;#039; splendid oratorio &amp;#039;&amp;#039;Sulamith&amp;#039;&amp;#039;. I walked to supper at &amp;#039;&amp;#039;[[Damrosch]]&amp;#039;s&amp;#039;&amp;#039; with &amp;#039;&amp;#039;[[Reno]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Carnegie&amp;#039;&amp;#039;. This little multi-millionaire is terribly indebted to me, and is forever talking about my invitation for next year. Supper at &amp;#039;&amp;#039;[[Damrosch]]&amp;#039;s&amp;#039;&amp;#039; was very original: the men went to the table by themselves, while the poor ladies were left nearby. Supper was plentiful, but the cuisine was American, i.e. exceptionally unpleasant. Much champagne was drunk. I sat next to the host and to the conductor &amp;#039;&amp;#039;Dannreuther&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note86&amp;quot;/&amp;gt;. During the whole two hours I spent talking with him about his brother, he must either have thought be mad or a desperate liar. He repeatedly gasped with surprise and appeared perplexed. It turned out that in my memory I had confused the pianist &amp;#039;&amp;#039;[[Edward Dannreuther|Dannreuther]]&amp;#039;&amp;#039; with the pianist &amp;#039;&amp;#039;[[Hartvigson]]&amp;#039;&amp;#039;. My absent-mindedness is becoming intolerable, and is indicative of my advancing age. Incidentally, everyone at dinner was surprised when I said that I had turned 51 years yesterday. &amp;#039;&amp;#039;Carnegie&amp;#039;&amp;#039; was particularly astonished: they all thought (except those familiar with my biography) that I was far older.  Have I grown so old recently? Very probably. I feel that something within me is falling apart. I was driven home in &amp;#039;&amp;#039;Carnegie&amp;#039;s&amp;#039;&amp;#039; carriage. Still affected by the discussion about my old age, all night I had terrible dreams [...] &amp;lt;ref name=&amp;quot;note87&amp;quot;/&amp;gt;. I was tumbling uncontrollably  down a cliff face into the sea, clinging fast to a tiny ledge. I believe that all this was an echo of the evening&amp;#039;s discussion about my age.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Every day Mr Romeiko sends me piles of newspaper cuttings about myself. All of them, without exception, are laudatory to the highest degree. The [[Suite No. 3|3rd Suite]] was praised to the skies, and my conducting even more so. Am I really such a good conductor? Or are these Americans exaggerating?!!!&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Every day Mr Romeiko sends me piles of newspaper cuttings about myself. All of them, without exception, are laudatory to the highest degree. The [[Suite No. 3|3rd Suite]] was praised to the skies, and my conducting even more so. Am I really such a good conductor? Or are these Americans exaggerating?!!!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Diaries_(April_1891)&amp;diff=43008&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Diaries_(April_1891)&amp;diff=43008&amp;oldid=prev"/>
		<updated>2022-07-12T12:01:13Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:01, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en-GB&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Diaries_(April_1891)&amp;diff=43007&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;.gif&quot; to &quot;.jpg&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Diaries_(April_1891)&amp;diff=43007&amp;oldid=prev"/>
		<updated>2020-10-25T17:12:50Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;.gif&amp;quot; to &amp;quot;.jpg&amp;quot;&lt;/p&gt;
&lt;a href=&quot;https://en.tchaikovsky-research.net/index.php?title=Diaries_(April_1891)&amp;amp;diff=43007&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
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