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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Kamenka</id>
	<title>Kamenka - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Kamenka"/>
	<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;action=history"/>
	<updated>2026-09-20T09:46:58Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=59074&amp;oldid=prev</id>
		<title>Tony: /* Tchaikovsky in Kamenka */</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=59074&amp;oldid=prev"/>
		<updated>2023-04-11T18:29:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Tchaikovsky in Kamenka&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:29, 11 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| June 1865&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| June 1865&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| August 1865&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| August 1865&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| On his first summer spent at Kamenka, Tchaikovsky drafted his [[Overture in C minor]] and translated F. A. Gevaert&amp;#039;s &amp;#039;&amp;#039;[[Handbook for Instrumentation]]&amp;#039;&amp;#039;. He also noted down a folk&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/del&gt;tune he heard sung by a gardener at Kamenka, which he would subsequently use in the [[String Quartet in B-flat major|String Quartet in B-flat major]] (1865) and the piano piece &amp;#039;&amp;#039;[[Scherzo à la russe]]&amp;#039;&amp;#039; (1867). &amp;quot;Never in my life have I spent a more pleasant summer&amp;quot;, he later told [[Aleksandra Davydova|Aleksandra]] &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| On his first summer spent at Kamenka, Tchaikovsky drafted his [[Overture in C minor]] and translated F. A. Gevaert&amp;#039;s &amp;#039;&amp;#039;[[Handbook for Instrumentation]]&amp;#039;&amp;#039;. He also noted down a folk tune he heard sung by a gardener at Kamenka, which he would subsequently use in the [[String Quartet in B-flat major|String Quartet in B-flat major]] (1865) and the piano piece &amp;#039;&amp;#039;[[Scherzo à la russe]]&amp;#039;&amp;#039; (1867). &amp;quot;Never in my life have I spent a more pleasant summer&amp;quot;, he later told [[Aleksandra Davydova|Aleksandra]] &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| June 1869&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| June 1869&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| July 1869&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| July 1869&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| The whole Tchaikovsky family went to Kamenka in the summer for the wedding of the composer&amp;#039;s brother [[Ippolit Tchaikovsky|Ippolit]] to [[Sofya Tchaikovskaya|Sofya Nikonova]] in June. The composer spent the rest of the summer working on the orchestration of his opera &amp;#039;&amp;#039;[[Undina]]&amp;#039;&amp;#039;, but also noted down another folk&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/del&gt;tune that he would go on to use in the famous &amp;#039;&amp;#039;Andante cantabile&amp;#039;&amp;#039; movement from his [[String Quartet No. 1]] (1871).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| The whole Tchaikovsky family went to Kamenka in the summer for the wedding of the composer&amp;#039;s brother [[Ippolit Tchaikovsky|Ippolit]] to [[Sofya Tchaikovskaya|Sofya Nikonova]] in June. The composer spent the rest of the summer working on the orchestration of his opera &amp;#039;&amp;#039;[[Undina]]&amp;#039;&amp;#039;, but also noted down another folk tune that he would go on to use in the famous &amp;#039;&amp;#039;Andante cantabile&amp;#039;&amp;#039; movement from his [[String Quartet No. 1]] (1871).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| June 1871&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| June 1871&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 1/13 June 1872&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 1/13 June 1872&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 2/14 July 1872&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 2/14 July 1872&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| The composer began work on his [[Symphony No. 2]], the finale of which incorporated the folk&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/del&gt;tune &amp;quot;The Crane&amp;quot;, which he heard while staying at Kamenka.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| The composer began work on his [[Symphony No. 2]], the finale of which incorporated the folk tune &amp;quot;The Crane&amp;quot;, which he heard while staying at Kamenka.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 18/30 June 1873&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 18/30 June 1873&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=58279&amp;oldid=prev</id>
		<title>Tony: /* Tchaikovsky in Kamenka */</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=58279&amp;oldid=prev"/>
		<updated>2023-01-03T11:55:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Tchaikovsky in Kamenka&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:55, 3 January 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l159&quot;&gt;Line 159:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 159:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1940 a museum was established in Tchaikovsky&amp;#039;s honour at Kamenka to mark the centenary of his birth. Since the 1960s it has been jointly run with another museum in honour of [[Aleksandr Pushkin]], who was also a frequent visitor to Kamenka.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1940&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;a museum was established in Tchaikovsky&amp;#039;s honour at Kamenka to mark the centenary of his birth. Since the 1960s it has been jointly run with another museum in honour of [[Aleksandr Pushkin]], who was also a frequent visitor to Kamenka.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=58278&amp;oldid=prev</id>
		<title>Tony: /* Tchaikovsky in Kamenka */ Omitted &quot;and&quot; for ease of reading</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=58278&amp;oldid=prev"/>
		<updated>2023-01-03T11:53:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Tchaikovsky in Kamenka: &lt;/span&gt; Omitted &amp;quot;and&amp;quot; for ease of reading&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:53, 3 January 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l72&quot;&gt;Line 72:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 72:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 13/25 April 1880&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 13/25 April 1880&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 2/14 July 1880&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 2/14 July 1880&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| He completed the orchestration of the [[Piano Concerto No. 2]] (28 April/10 May) and the &amp;#039;&amp;#039;[[Italian Capriccio]]&amp;#039;&amp;#039; (15/27 May), as well as arranging the latter work for piano duet, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/del&gt;correcting proofs of the score of &amp;#039;&amp;#039;[[The Maid of Orleans]]&amp;#039;&amp;#039;, and starting work on the [[Six Duets, Op. 46]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| He completed the orchestration of the [[Piano Concerto No. 2]] (28 April/10 May) and the &amp;#039;&amp;#039;[[Italian Capriccio]]&amp;#039;&amp;#039; (15/27 May), as well as arranging the latter work for piano duet, correcting proofs of the score of &amp;#039;&amp;#039;[[The Maid of Orleans]]&amp;#039;&amp;#039;, and starting work on the [[Six Duets, Op. 46]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 31 July/12 August 1880&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 31 July/12 August 1880&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=58277&amp;oldid=prev</id>
		<title>Tony: /* Tchaikovsky in Kamenka */</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=58277&amp;oldid=prev"/>
		<updated>2023-01-03T11:45:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Tchaikovsky in Kamenka&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:45, 3 January 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| June 1871&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| June 1871&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| early/mid July 1871&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| early/mid&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/ins&gt;July 1871&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Tchaikovsky spent the first half of his summer vacation at Kamenka. According to his nephew [[Yury Davydov]] (who was not born until 1876), it was during this summer that the composer wrote a children&amp;#039;s ballet for his nephews and nieces, which shared a subject and main motif with his later ballet &amp;#039;&amp;#039;[[Swan Lake]]&amp;#039;&amp;#039; (1875–76); however, there is no other evidence to corroborate this suggestion.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Tchaikovsky spent the first half of his summer vacation at Kamenka. According to his nephew [[Yury Davydov]] (who was not born until 1876), it was during this summer that the composer wrote a children&amp;#039;s ballet for his nephews and nieces, which shared a subject and main motif with his later ballet &amp;#039;&amp;#039;[[Swan Lake]]&amp;#039;&amp;#039; (1875–76); however, there is no other evidence to corroborate this suggestion.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l159&quot;&gt;Line 159:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 159:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1940 a museum was established in Tchaikovsky&amp;#039;s honour at Kamenka to mark the centenary of his birth. Since the 1960s it has been jointly run with another museum in honour of [[Aleksandr Pushkin]], who was also a frequent visitor to Kamenka.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1940 a museum was established in Tchaikovsky&amp;#039;s honour at Kamenka to mark the centenary of his birth. Since the 1960s it has been jointly run with another museum in honour of [[Aleksandr Pushkin]], who was also a frequent visitor to Kamenka.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=57325&amp;oldid=prev</id>
		<title>Brett at 10:21, 30 August 2022</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=57325&amp;oldid=prev"/>
		<updated>2022-08-30T10:21:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:21, 30 August 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l70&quot;&gt;Line 70:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 70:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Starting work on his [[Piano Concerto No. 2]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Starting work on his [[Piano Concerto No. 2]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 13/25 April &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1890&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 13/25 April &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1880&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 2/14 July 1880&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 2/14 July 1880&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| He completed the orchestration of the [[Piano Concerto No. 2]] (28 April/10 May) and the &amp;#039;&amp;#039;[[Italian Capriccio]]&amp;#039;&amp;#039; (15/27 May), as well as arranging the latter work for piano duet, and correcting proofs of the score of &amp;#039;&amp;#039;[[The Maid of Orleans]]&amp;#039;&amp;#039;, and starting work on the [[Six Duets, Op. 46]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| He completed the orchestration of the [[Piano Concerto No. 2]] (28 April/10 May) and the &amp;#039;&amp;#039;[[Italian Capriccio]]&amp;#039;&amp;#039; (15/27 May), as well as arranging the latter work for piano duet, and correcting proofs of the score of &amp;#039;&amp;#039;[[The Maid of Orleans]]&amp;#039;&amp;#039;, and starting work on the [[Six Duets, Op. 46]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=34348&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
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		<updated>2022-07-12T11:12:47Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
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		<author><name>Brett</name></author>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=34347&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;&lt;/mapframe&gt;&quot; to &quot;&lt;/mapframe&gt;--&gt;&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Kamenka&amp;diff=34347&amp;oldid=prev"/>
		<updated>2020-10-25T13:16:37Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;&amp;lt;/mapframe&amp;gt;&amp;quot; to &amp;quot;&amp;lt;/mapframe&amp;gt;--&amp;gt;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;!-- mapframe text=&amp;quot;Map showing ###&amp;quot; width=350 height=350 zoom=5 latitude=49.0359035 longitude=32.0990194 lang=&amp;quot;en&amp;quot;&amp;gt; { &amp;quot;type&amp;quot;: &amp;quot;Feature&amp;quot;,  &amp;quot;properties&amp;quot;: { &amp;quot;marker-color&amp;quot;: &amp;quot;#ff0000&amp;quot;, &amp;quot;marker-size&amp;quot;: &amp;quot;medium&amp;quot;, &amp;quot;marker-symbol&amp;quot;: &amp;quot;&amp;quot; }, &amp;quot;geometry&amp;quot;: { &amp;quot;type&amp;quot;: &amp;quot;Point&amp;quot;, &amp;quot;coordinates&amp;quot;: [32.0990194, 49.0359035] }}&amp;lt;/mapframe&amp;gt;--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Kamyanka&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Кам&amp;#039;янка), also known as &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Kamianka&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;, is a city and the administrative centre of the Kamyanka district (Кам&amp;#039;янський район) of Cherkasy oblast (Черкаська область) in Ukraine. &lt;br /&gt;
&lt;br /&gt;
During Tchaikovsky&amp;#039;s lifetime it was known as &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Kamenka&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Каменка), and formed part of the Chigirin district (Чигиринский уезд) in the Kiev province (Киевская губерния) of the Russian Empire.&lt;br /&gt;
&lt;br /&gt;
==Tchaikovsky in Kamenka==&lt;br /&gt;
Kamenka was the home of the composer&amp;#039;s sister [[Aleksandra Davydova|Aleksandra]], and her husband [[Lev Davydov]], who managed his family&amp;#039;s extensive estates there. Tchaikovsky visited on a regular basis between 1865 and 1893, and many of his compositions were written in the congenial surroundings at Kamenka. His main visits were as follows:&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! width=20%|From&lt;br /&gt;
! width=20%|Until&lt;br /&gt;
! width=60%|Notes&lt;br /&gt;
|-&lt;br /&gt;
| June 1865&lt;br /&gt;
| August 1865&lt;br /&gt;
| On his first summer spent at Kamenka, Tchaikovsky drafted his [[Overture in C minor]] and translated F. A. Gevaert&amp;#039;s &amp;#039;&amp;#039;[[Handbook for Instrumentation]]&amp;#039;&amp;#039;. He also noted down a folk-tune he heard sung by a gardener at Kamenka, which he would subsequently use in the [[String Quartet in B-flat major|String Quartet in B-flat major]] (1865) and the piano piece &amp;#039;&amp;#039;[[Scherzo à la russe]]&amp;#039;&amp;#039; (1867). &amp;quot;Never in my life have I spent a more pleasant summer&amp;quot;, he later told [[Aleksandra Davydova|Aleksandra]] &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;br /&gt;
|-&lt;br /&gt;
| June 1869&lt;br /&gt;
| July 1869&lt;br /&gt;
| The whole Tchaikovsky family went to Kamenka in the summer for the wedding of the composer&amp;#039;s brother [[Ippolit Tchaikovsky|Ippolit]] to [[Sofya Tchaikovskaya|Sofya Nikonova]] in June. The composer spent the rest of the summer working on the orchestration of his opera &amp;#039;&amp;#039;[[Undina]]&amp;#039;&amp;#039;, but also noted down another folk-tune that he would go on to use in the famous &amp;#039;&amp;#039;Andante cantabile&amp;#039;&amp;#039; movement from his [[String Quartet No. 1]] (1871).&lt;br /&gt;
|-&lt;br /&gt;
| June 1871&lt;br /&gt;
| early/mid July 1871&lt;br /&gt;
| Tchaikovsky spent the first half of his summer vacation at Kamenka. According to his nephew [[Yury Davydov]] (who was not born until 1876), it was during this summer that the composer wrote a children&amp;#039;s ballet for his nephews and nieces, which shared a subject and main motif with his later ballet &amp;#039;&amp;#039;[[Swan Lake]]&amp;#039;&amp;#039; (1875–76); however, there is no other evidence to corroborate this suggestion.&lt;br /&gt;
|-&lt;br /&gt;
| 1/13 June 1872&lt;br /&gt;
| 2/14 July 1872&lt;br /&gt;
| The composer began work on his [[Symphony No. 2]], the finale of which incorporated the folk-tune &amp;quot;The Crane&amp;quot;, which he heard while staying at Kamenka.&lt;br /&gt;
|-&lt;br /&gt;
| 18/30 June 1873&lt;br /&gt;
| 26 June/8 July 1873&lt;br /&gt;
| Tchaikovsky spent just over a week at Kamenka, before travelling to western Europe.&lt;br /&gt;
|-&lt;br /&gt;
| 4/16 June 1876&lt;br /&gt;
| 18/30 June 1876&lt;br /&gt;
| Suffering from a fever, the composer was unable to do any work during his first visit to Kamenka in three years.&lt;br /&gt;
|-&lt;br /&gt;
| 30 July/11 August 1877&lt;br /&gt;
| 8/20 September 1877 &lt;br /&gt;
| Leaving his wife [[Antonina]] behind in [[Moscow]], Tchaikovsky spent six weeks at Kamenka working on the orchestration of his [[Symphony No. 4]] and the opera &amp;#039;&amp;#039;[[Yevgeny Onegin]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 11/23 April 1878&lt;br /&gt;
| 12/24 May 1878&lt;br /&gt;
| During this visit the composer began work on various piano pieces, i.e. his &amp;#039;&amp;#039;[[Grand Sonata]]&amp;#039;&amp;#039;, the &amp;#039;&amp;#039;[[Children&amp;#039;s Album]]&amp;#039;&amp;#039;, and the [[Twelve Pieces, Op. 40]].&lt;br /&gt;
|-&lt;br /&gt;
| 13/25 June 1878&lt;br /&gt;
| 26 June/8 July 1878&lt;br /&gt;
| Continuing work on the piano pieces and the [[Six Romances, Op. 38]].&lt;br /&gt;
|-&lt;br /&gt;
| 4/16 November 1878&lt;br /&gt;
| 15/27 November 1878&lt;br /&gt;
| Here he composed the last two movements of the [[Suite No. 1]], before leaving for Italy.&lt;br /&gt;
|-&lt;br /&gt;
| 9/21 April 1879&lt;br /&gt;
| 3/15 May 1879&lt;br /&gt;
| During this visit Tchaikovsky orchestrated and arranged his [[Suite No. 1]] for piano duet, before taking up the orchestration of his opera &amp;#039;&amp;#039;[[The Maid of Orleans]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 14/26 May 1879&lt;br /&gt;
| 20 June/2 July 1879&lt;br /&gt;
| Completing the orchestration of the first two acts of &amp;#039;&amp;#039;[[The Maid of Orleans]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 7/19 July 1879&lt;br /&gt;
| 7/19 August 1879&lt;br /&gt;
| Orchestrating the first two scenes of Act III of &amp;#039;&amp;#039;[[The Maid of Orleans]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 29 September/11 October 1879&lt;br /&gt;
| 24 October/5 November 1879&lt;br /&gt;
| Starting work on his [[Piano Concerto No. 2]].&lt;br /&gt;
|-&lt;br /&gt;
| 13/25 April 1890&lt;br /&gt;
| 2/14 July 1880&lt;br /&gt;
| He completed the orchestration of the [[Piano Concerto No. 2]] (28 April/10 May) and the &amp;#039;&amp;#039;[[Italian Capriccio]]&amp;#039;&amp;#039; (15/27 May), as well as arranging the latter work for piano duet, and correcting proofs of the score of &amp;#039;&amp;#039;[[The Maid of Orleans]]&amp;#039;&amp;#039;, and starting work on the [[Six Duets, Op. 46]].&lt;br /&gt;
|-&lt;br /&gt;
| 31 July/12 August 1880&lt;br /&gt;
| 3/15 August 1880&lt;br /&gt;
| Correcting the proofs of the [[Piano Concerto No. 2]] and &amp;#039;&amp;#039;[[Italian Capriccio]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 6/18 August 1880&lt;br /&gt;
| 8/20 November 1880&lt;br /&gt;
| As well as further proof-correcting, Tchaikovsky wrote the [[Seven Romances, Op. 47]], the [[Serenade for String Orchestra]], the overture &amp;#039;&amp;#039;[[The Year 1812]]&amp;#039;&amp;#039;, and also revised his overture-fantasia &amp;#039;&amp;#039;[[Romeo and Juliet]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 24 December 1880/5 January 1881&lt;br /&gt;
| 6/18 January 1881&lt;br /&gt;
| The composer returned to Kamenka to spend Christmas with his family.&lt;br /&gt;
|-&lt;br /&gt;
| 29 April/11 May 1881&lt;br /&gt;
| 21 July/2 August 1881&lt;br /&gt;
| During this visit Tchaikovsky began to compose his [[All-Night Vigil]].&lt;br /&gt;
|-&lt;br /&gt;
| 25 July/6 August 1881&lt;br /&gt;
| 8/20 September 1881&lt;br /&gt;
| While continuing to write his own [[All-Night Vigil]], the composer worked on editing and arranging [[Dmitry Bortnyansky]]&amp;#039;s [[Complete Church Music (Bortnyansky)|church music]].&lt;br /&gt;
|-&lt;br /&gt;
| 5/17 October 1881&lt;br /&gt;
| 30 October/11 November 1881&lt;br /&gt;
| More work on [[Dmitry Bortnyansky|Bortnyansky]]&amp;#039;s compositions, before leaving for western Europe.&lt;br /&gt;
|-&lt;br /&gt;
| 26 April/8 May 1882&lt;br /&gt;
| 3/15 June 1882&lt;br /&gt;
| A little work on the opera &amp;#039;&amp;#039;[[Mazepa]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 26 July/7 August 1882&lt;br /&gt;
| 5/17 August 1882&lt;br /&gt;
| Further slow progress on &amp;#039;&amp;#039;[[Mazepa]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 21 August/2 September 1882&lt;br /&gt;
| 26 September/8 October 1882&lt;br /&gt;
| During this visit Tchaikovsky wrote [[Six Pieces, Op. 51]] for piano, and part of the second act of &amp;#039;&amp;#039;[[Mazepa]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 28 September/10 October 1882&lt;br /&gt;
| 12/24 November 1882&lt;br /&gt;
| After completing the draft of &amp;#039;&amp;#039;[[Mazepa]]&amp;#039;&amp;#039;, Tchaikovsky set about its orchestration.&lt;br /&gt;
|-&lt;br /&gt;
| 5/17 October 1883&lt;br /&gt;
| 13/25 October 1883&lt;br /&gt;
| On this visit he completed the orchestration of the [[Suite No. 2]], and worked on its arrangement for piano duet.&lt;br /&gt;
|-&lt;br /&gt;
| 19/31 October 1883&lt;br /&gt;
| 16/28 November 1883&lt;br /&gt;
| Working on the [[Sixteen Songs for Children]], Op. 54.&lt;br /&gt;
|-&lt;br /&gt;
| 12/24 April 1884&lt;br /&gt;
| 8/20 June 1884&lt;br /&gt;
| Tchaikovsky drafted the whole of the [[Suite No. 3]], and arranged it for piano duet.&lt;br /&gt;
|-&lt;br /&gt;
| 29 October/10 November 1885&lt;br /&gt;
| Around 10/22 November 1885&lt;br /&gt;
| Working on the [[Jurisprudence March]], which was completed on 5/17 November.&lt;br /&gt;
|-&lt;br /&gt;
| 26 August/7 September 1888&lt;br /&gt;
| 2/14 September 1888&lt;br /&gt;
| Correcting the proofs of the [[Symphony No. 5]].&lt;br /&gt;
|-&lt;br /&gt;
| Around 22 August/3 September 1889&lt;br /&gt;
| 4/16 September 1889&lt;br /&gt;
| Resting after completing the ballet &amp;#039;&amp;#039;[[The Sleeping Beauty]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 15/27 August 1890&lt;br /&gt;
| 30 August/11 September 1890&lt;br /&gt;
| &amp;quot;Concerning my visit to Kamenka, I can say that it has left me with a very sad impression. Everyone seems to have aged, and there is an overwhelming air of melancholy, with no sign of its previous joyfulness&amp;quot; &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt;.&lt;br /&gt;
|-&lt;br /&gt;
| 23 December 1890/4 January 1891&lt;br /&gt;
| 4/16 January 1891&lt;br /&gt;
| Visiting his family for the Christmas holidays. This would be the last time he would see his sister [[Aleksandra Davydova|Aleksandra]], who died on 28 March/9 April 1891.&lt;br /&gt;
|-&lt;br /&gt;
| 20 August/1 September 1891&lt;br /&gt;
| 27 August/8 September 1891&lt;br /&gt;
| Working a little on the opera &amp;#039;&amp;#039;[[Iolanta]]&amp;#039;&amp;#039;.&lt;br /&gt;
|-&lt;br /&gt;
| 24 December 1891/5 January 1892&lt;br /&gt;
| 26 December 1891/7 January 1892&lt;br /&gt;
| A brief visit to his family before leaving for a conducting tour in northern Europe.&lt;br /&gt;
|-&lt;br /&gt;
| 26 January/7 February 1893&lt;br /&gt;
| 1/13 February 1893&lt;br /&gt;
| Visiting between conducting tours in [[Odessa]] and [[Kharkov]].&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
In 1940 a museum was established in Tchaikovsky&amp;#039;s honour at Kamenka to mark the centenary of his birth. Since the 1960s it has been jointly run with another museum in honour of [[Aleksandr Pushkin]], who was also a frequent visitor to Kamenka. &lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
* {{bib|1940/290}} (1940)&lt;br /&gt;
* {{bib|1940/305}} (1940)&lt;br /&gt;
* {{bib|1949/7}} (1949)&lt;br /&gt;
* {{bib|1950/8}} (1950)&lt;br /&gt;
* {{bib|1965/78}} (1965)&lt;br /&gt;
* {{bib|1965/101}} (1965)&lt;br /&gt;
* {{bib|1968/18}} (1968)&lt;br /&gt;
* {{bib|1972/40}} (1972)&lt;br /&gt;
* {{bib|1972/57}} (1972)&lt;br /&gt;
* {{bib|1980/74}} (1980)&lt;br /&gt;
* {{bib|1986/26}} (1986)&lt;br /&gt;
* {{bib|1987/2}} (1987)&lt;br /&gt;
* {{bib|1987/41}} (1987)&lt;br /&gt;
* {{bib|1993/10}} (1993)&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* [[wikipedia:Kamianka, Cherkasy Oblast|Wikipedia]] (Kamianka)&lt;br /&gt;
* [[wikipedia:ru:Каменский литературно-мемориальный музей А. С. Пушкина и П. И. Чайковского|Wikipedia]] (Pushkin-Tchaikovsky Museum, in Russian)&lt;br /&gt;
&lt;br /&gt;
==Notes and References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;[[Letter 70]] to [[Aleksandra Davydova]], 24 August/5 September 1865.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;[[Letter 4212]] to [[Nadezhda von Meck]], 4/16 September 1890.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
[[Category:Places]] [[Category:Ukraine]]&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
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