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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_2368</id>
	<title>Letter 2368 - Revision history</title>
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	<updated>2026-06-19T18:21:34Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_2368&amp;diff=69288&amp;oldid=prev</id>
		<title>Tony at 12:28, 6 January 2025</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_2368&amp;diff=69288&amp;oldid=prev"/>
		<updated>2025-01-06T12:28:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:28, 6 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot;&gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Karlusha]]! [[Anatoly]] writes to me that they want to perform my [[Symphony No. 1|First Symphony]] &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt;. I wanted this very much, since, despite all its huge shortcomings, I still nourish a weakness for it, because it was a sin of my sweet youth. But, after picking up the score, I was horrified by the huge number of disgraceful printing errors and, in general, by the whole appearance of the score as it was published at the time. I wanted to set about correcting it thoroughly — but there isn&amp;#039;t enough time to do this properly, because I&amp;#039;m afraid that if I delay in sending it, you might arrange for the parts to be copied out anyway. By the way, speaking of the parts: there aren&amp;#039;t any printed parts and the handwritten ones are no use, because about ten years ago I revised the symphony. I&amp;#039;ve gone over the first two movements quite thoroughly, but the remaining two only superficially. I&amp;#039;m sending you this score separately by registered letter. If it&amp;#039;s found to be impossible to perform the symphony, because it&amp;#039;s been mutilated so much, then I won&amp;#039;t be in the least offended.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Karlusha]]! [[Anatoly]] writes to me that they want to perform my [[Symphony No. 1|First Symphony]] &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt;. I wanted this very much, since, despite all its huge shortcomings, I still nourish a weakness for it, because it was a sin of my sweet youth. But, after picking up the score, I was horrified by the huge number of disgraceful printing errors and, in general, by the whole appearance of the score as it was published at the time. I wanted to set about correcting it thoroughly — but there isn&amp;#039;t enough time to do this properly, because I&amp;#039;m afraid that if I delay in sending it, you might arrange for the parts to be copied out anyway. By the way, speaking of the parts: there aren&amp;#039;t any printed parts and the handwritten ones are no use, because about ten years ago I revised the symphony. I&amp;#039;ve gone over the first two movements quite thoroughly, but the remaining two only superficially. I&amp;#039;m sending you this score separately by registered letter. If it&amp;#039;s found to be impossible to perform the symphony, because it&amp;#039;s been mutilated so much, then I won&amp;#039;t be in the least offended.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I hug you. I can&amp;#039;t say exactly when I shall come to [[Moscow]] — this depends on the opera &amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt;, but in any case I shall be there during the second half of November. Bows to everyone.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I hug you. I can&amp;#039;t say exactly when I shall come to [[Moscow]] — this depends on the opera &amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt;, but in any case&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;I shall be there during the second half of November. Bows to everyone.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{right|P. Tchaikovsky}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{right|P. Tchaikovsky}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;Dated to 1883 by the postmark on the envelope.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;Dated to 1883 by the postmark on the envelope.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;The planned performance of the [[Symphony No. 1]] (the first in its revised version of 1874) would take place at a Russian Musical Society concert in [[Moscow]] on 19 November/1 December 1883, conducted by [[Max Erdmannsdörfer]]. Tchaikovsky returned specially to [[Moscow]] in order to attend this performance.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;The planned performance of the [[Symphony No. 1]] (the first in its revised version of 1874) would take place at a Russian Musical Society concert in [[Moscow]] on 19 November/1 December 1883, conducted by [[Max Erdmannsdörfer]]. Tchaikovsky returned specially to [[Moscow]] in order to attend this performance.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;Tchaikovsky was conducting negotiations with the Imperial Theatres&amp;#039; Directorate to have his new opera &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;[[Mazepa]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039; &lt;/del&gt;staged at the [[Moscow]] Bolshoi Theatre.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;Tchaikovsky was conducting negotiations with the Imperial Theatres&amp;#039; Directorate to have his new opera [[Mazepa]] staged at the [[Moscow]] Bolshoi Theatre.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_2368&amp;diff=47088&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_2368&amp;diff=47088&amp;oldid=prev"/>
		<updated>2022-07-12T12:25:48Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:25, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en-GB&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_2368&amp;diff=47087&amp;oldid=prev</id>
		<title>Brett at 22:14, 18 February 2020</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_2368&amp;diff=47087&amp;oldid=prev"/>
		<updated>2020-02-18T22:14:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{letterhead &lt;br /&gt;
|Date=17/29 October 1883 &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;&lt;br /&gt;
|To=[[Karl Albrecht]] &lt;br /&gt;
|Place=[[Kiev]] &lt;br /&gt;
|Language=Russian &lt;br /&gt;
|Autograph=[[Moscow]] (Russia): {{RUS-Mcm}} (Ф. 37, No. 47) &lt;br /&gt;
|Publication={{bibx|1940/228|Чайковский на Московской сцене}} (1940), p. 290&amp;lt;br/&amp;gt;{{bib|1970/86|П. И. Чайковский. Полное собрание сочинений ; том XII}} (1970), p. 258}}&lt;br /&gt;
&lt;br /&gt;
==Text and Translation==&lt;br /&gt;
{{Lettertext&lt;br /&gt;
|Language=Russian&lt;br /&gt;
|Translator=Luis Sundkvist&lt;br /&gt;
|Original text={{right|&amp;#039;&amp;#039;Киев&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;17 окт[абря]}}&lt;br /&gt;
Карлуша! Анатолий пишет мне, что хотят исполнить мою первую симфонию. Я этого очень желал, ибо, несмотря на все огромные её недостатки, питаю к ней слабость, ибо это грех милой юности. Но, взяв партитуры в руки, я ужаснулся огромному количеству безобразных опечаток и вообще тому виду, в коем она напечатана. Принялся было за основательную корректуру, — но времени нет сделать это как следует, ибо боюсь, что если задержу, — то, пожалуй, ты уж распорядишься о переписке голосов. Кстати о голосах: печатных нет, а старые писанные не годятся, ибо лет 10 тому назад я симфонию переделывал. Первые две части я просмотрел довольно обстоятельно, остальные две лишь поверхностно. Посылаю тебе эту партитуру отдельно заказным письмом. Если найдут невозможным исполнять симфонию, столь обезображенную, то я нисколько не обижусь.&lt;br /&gt;
&lt;br /&gt;
Обнимаю тебя. Времени, когда буду в Москве, назначить не могу; это зависит от оперы, но во всяком случае во 2-й половине ноября буду. Всем поклоны. &lt;br /&gt;
{{right|П. Чайковский}}&lt;br /&gt;
&lt;br /&gt;
|Translated text={{right|&amp;#039;&amp;#039;[[Kiev]]&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;17 October }}&lt;br /&gt;
[[Karlusha]]! [[Anatoly]] writes to me that they want to perform my [[Symphony No. 1|First Symphony]] &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt;. I wanted this very much, since, despite all its huge shortcomings, I still nourish a weakness for it, because it was a sin of my sweet youth. But, after picking up the score, I was horrified by the huge number of disgraceful printing errors and, in general, by the whole appearance of the score as it was published at the time. I wanted to set about correcting it thoroughly — but there isn&amp;#039;t enough time to do this properly, because I&amp;#039;m afraid that if I delay in sending it, you might arrange for the parts to be copied out anyway. By the way, speaking of the parts: there aren&amp;#039;t any printed parts and the handwritten ones are no use, because about ten years ago I revised the symphony. I&amp;#039;ve gone over the first two movements quite thoroughly, but the remaining two only superficially. I&amp;#039;m sending you this score separately by registered letter. If it&amp;#039;s found to be impossible to perform the symphony, because it&amp;#039;s been mutilated so much, then I won&amp;#039;t be in the least offended.&lt;br /&gt;
&lt;br /&gt;
I hug you. I can&amp;#039;t say exactly when I shall come to [[Moscow]] — this depends on the opera &amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt;, but in any case I shall be there during the second half of November. Bows to everyone. &lt;br /&gt;
{{right|P. Tchaikovsky}}&lt;br /&gt;
}}&lt;br /&gt;
==Notes and References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;Dated to 1883 by the postmark on the envelope.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;The planned performance of the [[Symphony No. 1]] (the first in its revised version of 1874) would take place at a Russian Musical Society concert in [[Moscow]] on 19 November/1 December 1883, conducted by [[Max Erdmannsdörfer]]. Tchaikovsky returned specially to [[Moscow]] in order to attend this performance.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;Tchaikovsky was conducting negotiations with the Imperial Theatres&amp;#039; Directorate to have his new opera &amp;#039;&amp;#039;[[Mazepa]]&amp;#039;&amp;#039; staged at the [[Moscow]] Bolshoi Theatre.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
</feed>