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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_317</id>
	<title>Letter 317 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_317"/>
	<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_317&amp;action=history"/>
	<updated>2026-07-31T12:29:03Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.38.2</generator>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_317&amp;diff=65730&amp;oldid=prev</id>
		<title>Tony at 14:05, 1 March 2024</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_317&amp;diff=65730&amp;oldid=prev"/>
		<updated>2024-03-01T14:05:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:05, 1 March 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Language=Russian  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Language=Russian  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Autograph=[[Moscow]] (Russia): {{RUS-Mcm}} (ф. 42, No. 235)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Autograph=[[Moscow]] (Russia): {{RUS-Mcm}} (ф. 42, No. 235)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Publication={{bibx|1896/3|Новое время}} (7 October 1896)&amp;lt;br/&amp;gt;{{bibx|1898/5|Ежегодник Императорских театорв, сезон 1896–1897}} (1898), No. 1, p. 26 (abridged)&amp;lt;br/&amp;gt;{{bib|1900/35|Жизнь Петра Ильича Чайковского ; том 1}} (1900), p. 416–417 (abridged)&amp;lt;br/&amp;gt;{{bibx|1923/17|Музыкальная новь}} (1923), No. 1, p. 54–55&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt;&amp;lt;br/&amp;gt;{{bib|1959/50|П. И. Чайковский. Полное собрание сочинений ; том V}} (1959), p. 327&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Publication={{bibx|1896/3|Новое время}} (7 October 1896)&amp;lt;br/&amp;gt;{{bibx|1898/5|Ежегодник Императорских театорв, сезон 1896–1897}} (1898), No. 1, p. 26 (abridged)&amp;lt;br/&amp;gt;{{bib|1900/35|Жизнь Петра Ильича Чайковского ; том 1}} (1900), p. 416–417 (abridged)&amp;lt;br/&amp;gt;{{bibx|1923/17|Музыкальная новь}} (1923), No. 1, p. 54–55 &amp;lt;br/&amp;gt;{{bib|1959/50|П. И. Чайковский. Полное собрание сочинений ; том V}} (1959), p. 327&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Text and Translation==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Text and Translation==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_317&amp;diff=63381&amp;oldid=prev</id>
		<title>Brett at 17:43, 9 September 2023</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_317&amp;diff=63381&amp;oldid=prev"/>
		<updated>2023-09-09T17:43:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:43, 9 September 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I&amp;#039;ve received the symphony and will immediately set about the arrangement, which I&amp;#039;ll be sending to you shortly.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I&amp;#039;ve received the symphony and will immediately set about the arrangement, which I&amp;#039;ll be sending to you shortly.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Please, golubchik, intercede regarding &amp;quot;[[The Oprichnik]]&amp;quot;. I admit to you in confidence that I should very much like to transfer the role of &amp;#039;&amp;#039;Natasha&amp;#039;&amp;#039; to Mrs &amp;#039;&amp;#039;Raab&amp;#039;&amp;#039;! In the event that Menshikova were engaged, I could console her with the role of &amp;#039;&amp;#039;Morozova&amp;#039;&amp;#039;, slightly adjusting it in terms of the range. But, for God&amp;#039;s sake, see to it that Menshikova is not angered. I very much like &amp;#039;&amp;#039;Raab&amp;#039;&amp;#039; — both as a singer and as a person of pleasant aspect. Menshikova is old for Natasha, moreover they say that her voice is very much faltering. Incidentally, about &amp;quot;&amp;#039;&amp;#039;[[The Oprichnik]]&amp;quot;&amp;#039;&amp;#039;. Yesterday, on the stage of the Bolshoi Theatre, they announced to me that the local &amp;#039;&amp;#039;directorate&amp;#039;&amp;#039; certainly wishes to stage it in [[Moscow]] in the spring. Although, with the exception of Kadmina, I don&amp;#039;t see any good performers here, I dare say we&amp;#039;ve no means to prevent it. Let them stage it. The repertoire manager told me that they would spare nothing for a good production, and that the opera would be performed for the whole season. In any case, this will bring us two or three hundred more rubles — and, oh, how precious rubles are to me. Regarding the dedication, I think it best to dedicate it to &amp;#039;&amp;#039;[[Grand Duke Konstantin Nikolayevich|Konstantin]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Please, golubchik, intercede regarding &amp;quot;[[The Oprichnik]]&amp;quot;. I admit to you in confidence that I should very much like to transfer the role of &amp;#039;&amp;#039;Natasha&amp;#039;&amp;#039; to Mrs &amp;#039;&amp;#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Raab&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&amp;#039;&amp;#039;! In the event that Menshikova were engaged, I could console her with the role of &amp;#039;&amp;#039;Morozova&amp;#039;&amp;#039;, slightly adjusting it in terms of the range. But, for God&amp;#039;s sake, see to it that Menshikova is not angered. I very much like &amp;#039;&amp;#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Raab&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&amp;#039;&amp;#039; — both as a singer and as a person of pleasant aspect. Menshikova is old for Natasha, moreover they say that her voice is very much faltering. Incidentally, about &amp;quot;&amp;#039;&amp;#039;[[The Oprichnik]]&amp;quot;&amp;#039;&amp;#039;. Yesterday, on the stage of the Bolshoi Theatre, they announced to me that the local &amp;#039;&amp;#039;directorate&amp;#039;&amp;#039; certainly wishes to stage it in [[Moscow]] in the spring. Although, with the exception of Kadmina, I don&amp;#039;t see any good performers here, I dare say we&amp;#039;ve no means to prevent it. Let them stage it. The repertoire manager told me that they would spare nothing for a good production, and that the opera would be performed for the whole season. In any case, this will bring us two or three hundred more rubles — and, oh, how precious rubles are to me. Regarding the dedication, I think it best to dedicate it to &amp;#039;&amp;#039;[[Grand Duke Konstantin Nikolayevich|Konstantin]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;You are very much mistaken in thinking that I&amp;#039;ve been working very hard during the summer. I haven&amp;#039;t written a single note abroad. On returning to Russia, in the country I produced a symphonic fantasia &amp;quot;&amp;#039;&amp;#039;[[The Tempest]]&amp;#039;&amp;#039;&amp;quot; according to [[Stasov]]&amp;#039;s programme. Forgive me, but I cannot give it to you, because last year I promised [[Jurgenson]] my first symphonic piece. I promise to give you the first thing that I write next; I dare say they will be piano pieces. I am very grateful and extremely glad of your attentiveness regarding the publishing of my things — but you will understand that, in the interests of good relations with [[Jurgenson]], I cannot decline his gracious offers. Forgive me, gracious friend. Send all the proofs as soon as you can.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;You are very much mistaken in thinking that I&amp;#039;ve been working very hard during the summer. I haven&amp;#039;t written a single note abroad. On returning to Russia, in the country I produced a symphonic fantasia &amp;quot;&amp;#039;&amp;#039;[[The Tempest]]&amp;#039;&amp;#039;&amp;quot; according to [[Stasov]]&amp;#039;s programme. Forgive me, but I cannot give it to you, because last year I promised [[Jurgenson]] my first symphonic piece. I promise to give you the first thing that I write next; I dare say they will be piano pieces. I am very grateful and extremely glad of your attentiveness regarding the publishing of my things — but you will understand that, in the interests of good relations with [[Jurgenson]], I cannot decline his gracious offers. Forgive me, gracious friend. Send all the proofs as soon as you can.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_317&amp;diff=47416&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_317&amp;diff=47416&amp;oldid=prev"/>
		<updated>2022-07-12T12:25:58Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:25, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en-GB&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_317&amp;diff=47415&amp;oldid=prev</id>
		<title>Brett at 17:35, 20 September 2020</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_317&amp;diff=47415&amp;oldid=prev"/>
		<updated>2020-09-20T17:35:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{letterhead &lt;br /&gt;
|Date=3/15 September 1873 &lt;br /&gt;
|To=[[Vasily Bessel]] &lt;br /&gt;
|Place=[[Moscow]] &lt;br /&gt;
|Language=Russian &lt;br /&gt;
|Autograph=[[Moscow]] (Russia): {{RUS-Mcm}} (ф. 42, No. 235) &lt;br /&gt;
|Publication={{bibx|1896/3|Новое время}} (7 October 1896)&amp;lt;br/&amp;gt;{{bibx|1898/5|Ежегодник Императорских театорв, сезон 1896–1897}} (1898), No. 1, p. 26 (abridged)&amp;lt;br/&amp;gt;{{bib|1900/35|Жизнь Петра Ильича Чайковского ; том 1}} (1900), p. 416–417 (abridged)&amp;lt;br/&amp;gt;{{bibx|1923/17|Музыкальная новь}} (1923), No. 1, p. 54–55. &amp;lt;br/&amp;gt;{{bib|1959/50|П. И. Чайковский. Полное собрание сочинений ; том V}} (1959), p. 327&lt;br /&gt;
}}&lt;br /&gt;
==Text and Translation==&lt;br /&gt;
{{Lettertext&lt;br /&gt;
|Language=Russian&lt;br /&gt;
|Translator=Brett Langston&lt;br /&gt;
|Original text={{right|&amp;#039;&amp;#039;3-го сентября&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;Москва}}&lt;br /&gt;
{{centre|Любезный друг&amp;lt;br/&amp;gt;Василий Васильевич!}}&lt;br /&gt;
Я получил симфонию и немедленно примусь за переложение, которое в скором времени тебе вышлю.&lt;br /&gt;
&lt;br /&gt;
Пожалуйста, голубчик, хлопочи об «Опричнике». Признаюсь тебе по секрету, что мне бы очень хотелось передать роль &amp;#039;&amp;#039;Наташи&amp;#039;&amp;#039; г-же &amp;#039;&amp;#039;Рааб&amp;#039;&amp;#039;! В случае, если б Меньшикова и была ангажирована, я бы мог утешить её ролью &amp;#039;&amp;#039;Морозовой&amp;#039;&amp;#039;, слегка её переделав в отношении диапазона. Но, ради Бога, устрой так, чтоб Меньшикова не злилась. Мне очень нравится &amp;#039;&amp;#039;Рааб&amp;#039;&amp;#039; — и как певица и как особа приятной наружности. Меньшикова стара для Наташи, притом же она, говорят, сильно спала с голоса. Кстати, об «&amp;#039;&amp;#039;Опричнике&amp;#039;&amp;#039;». Вчера на сцене Большого театра мне объявили, что здешняя &amp;#039;&amp;#039;дирекция&amp;#039;&amp;#039; непременно хочет ставить его и в Москве весной. Хотя, за исключением Кадминой, я не вижу здесь хороших исполнителей, но полагаю, что нам нечего препятствовать. Пусть себе ставят. Начальник репертуара сказал мне, что они не пожалеют ничего для хорошей постановки и что в течение целого сезона опера будет разучиваться. Во всяком случае, это принесёт нам две-три лишние сотни рублей, а я рублями — ох, как дорожу. Касательно посвященья, я полагаю, что лучше всего посвятить &amp;#039;&amp;#039;Константину&amp;#039;&amp;#039;.&lt;br /&gt;
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Ты очень ошибся, подумав, что я много работал летом. За границей я не написал ни одной нотки. Возвратившись же в Россию, я в деревне произвёл на свет симфоническую фантазию «&amp;#039;&amp;#039;Буря&amp;#039;&amp;#039;» по программе Стасова. Ты извини меня, но её я отдать тебе не могу, так как ещё в прошлом году обещал Юргенсону мою первую симфоническую вещь. Тебе же я обещаю отдать первое, что напишу; полагаю, что это будут фортепьянные пьэски. Я очень тебе благодарен и весьма рад твоей предупредительности в отношении издания моих вещей, — но ты поймёшь, что, находясь в хороших отношениях с Юргенсоном, я не могу отказывать и ему в его любезных предложениях. Прощай, любезный друг. Присылай скорей корректуру всего, что есть.&lt;br /&gt;
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Преданный тебе,&lt;br /&gt;
{{right|П. Чайковский}}&lt;br /&gt;
Статей не обещаюсь. У меня столько дела, что голова кружится. Но лентяя Губерта буду понукать.&lt;br /&gt;
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|Translated text={{right|&amp;#039;&amp;#039;3rd September&amp;#039;&amp;#039;&amp;lt;br/&amp;gt;[[Moscow]]}}&lt;br /&gt;
{{centre|Gracious friend&amp;lt;br/&amp;gt;[[Vasily Vasilyevich]]!}}&lt;br /&gt;
I&amp;#039;ve received the symphony and will immediately set about the arrangement, which I&amp;#039;ll be sending to you shortly.&lt;br /&gt;
&lt;br /&gt;
Please, golubchik, intercede regarding &amp;quot;[[The Oprichnik]]&amp;quot;. I admit to you in confidence that I should very much like to transfer the role of &amp;#039;&amp;#039;Natasha&amp;#039;&amp;#039; to Mrs &amp;#039;&amp;#039;Raab&amp;#039;&amp;#039;! In the event that Menshikova were engaged, I could console her with the role of &amp;#039;&amp;#039;Morozova&amp;#039;&amp;#039;, slightly adjusting it in terms of the range. But, for God&amp;#039;s sake, see to it that Menshikova is not angered. I very much like &amp;#039;&amp;#039;Raab&amp;#039;&amp;#039; — both as a singer and as a person of pleasant aspect. Menshikova is old for Natasha, moreover they say that her voice is very much faltering. Incidentally, about &amp;quot;&amp;#039;&amp;#039;[[The Oprichnik]]&amp;quot;&amp;#039;&amp;#039;. Yesterday, on the stage of the Bolshoi Theatre, they announced to me that the local &amp;#039;&amp;#039;directorate&amp;#039;&amp;#039; certainly wishes to stage it in [[Moscow]] in the spring. Although, with the exception of Kadmina, I don&amp;#039;t see any good performers here, I dare say we&amp;#039;ve no means to prevent it. Let them stage it. The repertoire manager told me that they would spare nothing for a good production, and that the opera would be performed for the whole season. In any case, this will bring us two or three hundred more rubles — and, oh, how precious rubles are to me. Regarding the dedication, I think it best to dedicate it to &amp;#039;&amp;#039;[[Grand Duke Konstantin Nikolayevich|Konstantin]]&amp;#039;&amp;#039;.&lt;br /&gt;
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You are very much mistaken in thinking that I&amp;#039;ve been working very hard during the summer. I haven&amp;#039;t written a single note abroad. On returning to Russia, in the country I produced a symphonic fantasia &amp;quot;&amp;#039;&amp;#039;[[The Tempest]]&amp;#039;&amp;#039;&amp;quot; according to [[Stasov]]&amp;#039;s programme. Forgive me, but I cannot give it to you, because last year I promised [[Jurgenson]] my first symphonic piece. I promise to give you the first thing that I write next; I dare say they will be piano pieces. I am very grateful and extremely glad of your attentiveness regarding the publishing of my things — but you will understand that, in the interests of good relations with [[Jurgenson]], I cannot decline his gracious offers. Forgive me, gracious friend. Send all the proofs as soon as you can.&lt;br /&gt;
&lt;br /&gt;
Your devoted,&lt;br /&gt;
{{right|P. Tchaikovsky}}&lt;br /&gt;
I make no promises about articles. I&amp;#039;ve so much to do that my head is spinning. But I&amp;#039;ll chivvy lazybones [[Hubert]].&lt;br /&gt;
}}&lt;br /&gt;
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{{DEFAULTSORT:Letter 0317}}&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
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