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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=The_Barber_of_Seville</id>
	<title>The Barber of Seville - Revision history</title>
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	<updated>2026-06-22T17:57:34Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=The_Barber_of_Seville&amp;diff=58478&amp;oldid=prev</id>
		<title>Tony at 12:49, 14 January 2023</title>
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		<updated>2023-01-14T12:49:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:49, 14 January 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Autographs==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Autographs==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tchaikovsky&amp;#039;s autograph score is now preserved in the {{RUS-Mcm}} &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;in [[Moscow]] {{TOW2|kuplety-grafa-almavivy-k-komedii-p-bomarshe-sevilskiy-ciryulnik|(ф. 88, No. 164)}}, together with a manuscript copy of the score arranged for voice and piano by [[Sergey Taneyev]]. Both manuscripts are enclosed in a folder on which is written:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tchaikovsky&amp;#039;s autograph score is now preserved in the {{RUS-Mcm}} in [[Moscow]] {{TOW2|kuplety-grafa-almavivy-k-komedii-p-bomarshe-sevilskiy-ciryulnik|(ф. 88, No. 164)}}, together with a manuscript copy of the score arranged for voice and piano by [[Sergey Taneyev]]. Both manuscripts are enclosed in a folder on which is written:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|Manuscript by &amp;#039;&amp;#039;Petr Ilyich Tchaikovsky&amp;#039;&amp;#039;. This composition was written in the year 1872, for &amp;#039;&amp;#039;[[Beaumarchais]]&amp;#039;&amp;#039;&amp;#039; comedy “The Barber of Seville” for the role of &amp;#039;&amp;#039;Count Almaviva&amp;#039;&amp;#039; (!) for a student performance at the &amp;#039;&amp;#039;Moscow Conservatory&amp;#039;&amp;#039;. The piano part was written by [[Sergey Taneyev|S. I. Taneyev]]. 1905 Sept. 30.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|Manuscript by &amp;#039;&amp;#039;Petr Ilyich Tchaikovsky&amp;#039;&amp;#039;. This composition was written in the year 1872, for &amp;#039;&amp;#039;[[Beaumarchais]]&amp;#039;&amp;#039;&amp;#039; comedy “The Barber of Seville” for the role of &amp;#039;&amp;#039;Count Almaviva&amp;#039;&amp;#039; (!) for a student performance at the &amp;#039;&amp;#039;Moscow Conservatory&amp;#039;&amp;#039;. The piano part was written by [[Sergey Taneyev|S. I. Taneyev]]. 1905 Sept. 30.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=The_Barber_of_Seville&amp;diff=42556&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
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		<updated>2022-07-12T11:25:03Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:25, 12 July 2022&lt;/td&gt;
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&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=The_Barber_of_Seville&amp;diff=42555&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;’&quot; to &quot;&#039;&quot;</title>
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		<updated>2019-06-08T20:38:26Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;’&amp;quot; to &amp;quot;&amp;#039;&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Tchaikovsky&amp;#039;s couplets for [[Pierre Beaumarchais]]&amp;#039; play &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Barber of Seville&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Севильский циргюльник) ([[TH]] 18 ; [[ČW]] 19) &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt; were written early in 1872 to accompany a student production of the play at the [[Moscow]] Conservatory. &lt;br /&gt;
&lt;br /&gt;
==Instrumentation==&lt;br /&gt;
The couplets are scored for solo tenor voice (performing the role of Count Almaviva) accompanied only by two violins. &lt;br /&gt;
&lt;br /&gt;
==Duration==&lt;br /&gt;
There is one movement: Andantino (G major, 20 bars), lasting just 2 to 3 minutes in performance.&lt;br /&gt;
&lt;br /&gt;
==Subject==&lt;br /&gt;
[[Pierre Beaumarchais]]&amp;#039; four-act play &amp;#039;&amp;#039;Le Barbier de Séville, ou la Précaution inutile&amp;#039;&amp;#039; was written in 1773, and first performed in Paris on 23 February 1775 with original music by Antoine-Laurent Baudron (1742-1834). The performance by students at the [[Moscow]] Conservatory was given in a Russian translation, which most sources attribute to the actor [[Mikhail Sadovsky]] (1847–1910), although [[Mikhail Sadovsky|Sadovsky]]&amp;#039;s Russian version of &amp;#039;&amp;#039;The Barber of Seville&amp;#039;&amp;#039; seems to have been premiered at the Maly Theatre in [[Moscow]] in 1883 &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt;, and published for the first time the following year &amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt;. &lt;br /&gt;
&lt;br /&gt;
The couplets &amp;quot;Vous l&amp;#039;ordonnez&amp;quot; (translated in Tchaikovsky&amp;#039;s version as «Имя звук лищь пустой!») are sung by Count Almaviva to Rosine towards the end of the first act of the play.&lt;br /&gt;
&lt;br /&gt;
==Composition==&lt;br /&gt;
Little information survives concerning the origins of this composition, which presumably dates from a few weeks before the first performance in February 1872. &lt;br /&gt;
&lt;br /&gt;
==Performances==&lt;br /&gt;
Tchaikovsky&amp;#039;s music was first performed by students at the [[Moscow]] Conservatory on 12/24 February 1872. No information survives concerning further performances of the couplets during Tchaikovsky&amp;#039;s lifetime.&lt;br /&gt;
&lt;br /&gt;
==Publication==&lt;br /&gt;
The score of Tchaikovsky&amp;#039;s couplets, together with an arrangement for voice and piano by [[Sergey Taneyev]], was published in [[Moscow]] by [[Pyotr Jurgenson]] in 1906.&lt;br /&gt;
&lt;br /&gt;
The score was published in volume 14 of Tchaikovsky&amp;#039;s &amp;#039;&amp;#039;[[Complete Collected Works]]&amp;#039;&amp;#039;, edited by Irina Iordan (1962).&lt;br /&gt;
&lt;br /&gt;
==Autographs==&lt;br /&gt;
Tchaikovsky&amp;#039;s autograph score is now preserved in the {{RUS-Mcm}}  in [[Moscow]] {{TOW2|kuplety-grafa-almavivy-k-komedii-p-bomarshe-sevilskiy-ciryulnik|(ф. 88, No. 164)}}, together with a manuscript copy of the score arranged for voice and piano by [[Sergey Taneyev]]. Both manuscripts are enclosed in a folder on which is written: &lt;br /&gt;
{{quote|Manuscript by &amp;#039;&amp;#039;Petr Ilyich Tchaikovsky&amp;#039;&amp;#039;. This composition was written in the year 1872, for &amp;#039;&amp;#039;[[Beaumarchais]]&amp;#039;&amp;#039;&amp;#039; comedy “The Barber of Seville” for the role of &amp;#039;&amp;#039;Count Almaviva&amp;#039;&amp;#039; (!) for a student performance at the &amp;#039;&amp;#039;Moscow Conservatory&amp;#039;&amp;#039;. The piano part was written by [[Sergey Taneyev|S. I. Taneyev]]. 1905 Sept. 30.}}&lt;br /&gt;
&lt;br /&gt;
==Recordings==&lt;br /&gt;
{{reclink}}&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* {{imslpscore|The_Barber_of_Seville_(Tchaikovsky,_Pyotr)|The Barber of Seville}}&lt;br /&gt;
&lt;br /&gt;
==Notes and References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;Entitled &amp;#039;Couplets of Count Almaviva for P. Beaumarchais&amp;#039; comedy &amp;quot;Le barbier de Séville&amp;quot;&amp;#039; in [[ČW]].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;See the [http://www.maly.ru/people.php?name{{=}}Sadovskiy Maly Theatre website].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;&amp;#039;&amp;#039;Севильский цирюльник&amp;#039;&amp;#039;. Комедия в 4 действиях. Новый пер. арт. имп. моск. театров М. П. Садовского. Москва: журн. &amp;#039;&amp;#039;Будильник&amp;#039;&amp;#039;, 1884.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
[[Category:Incidental Music]]&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
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