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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=The_Nutcracker_%28suite%29</id>
	<title>The Nutcracker (suite) - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=The_Nutcracker_%28suite%29"/>
	<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;action=history"/>
	<updated>2026-10-20T02:40:49Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.38.2</generator>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=58798&amp;oldid=prev</id>
		<title>Tony at 20:11, 14 February 2023</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=58798&amp;oldid=prev"/>
		<updated>2023-02-14T20:11:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:11, 14 February 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l43&quot;&gt;Line 43:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Publication==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Publication==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On 9/21 March the composer wrote to [[Pyotr Jurgenson]]: &amp;quot;The suite from the ballet was successful. I don&amp;#039;t think it would hurt to print it&amp;quot; &amp;lt;ref name=&amp;quot;note7&amp;quot;/&amp;gt;. The full score of the suite was issued by [[Jurgenson]] in May 1892, and the orchestral parts the following month.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On 9/21 March&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;the composer wrote to [[Pyotr Jurgenson]]: &amp;quot;The suite from the ballet was successful. I don&amp;#039;t think it would hurt to print it&amp;quot; &amp;lt;ref name=&amp;quot;note7&amp;quot;/&amp;gt;. The full score of the suite was issued by [[Jurgenson]] in May 1892, and the orchestral parts the following month.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The score of the Suite was not published separately from the ballet in Tchaikovsky&amp;#039;s &amp;#039;&amp;#039;[[Complete Collected Works]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The score of the Suite was not published separately from the ballet in Tchaikovsky&amp;#039;s &amp;#039;&amp;#039;[[Complete Collected Works]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=58797&amp;oldid=prev</id>
		<title>Tony: Text corrections - &quot;an&quot; to &quot;and&quot; / &quot;last&quot; to &quot;lasts&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=58797&amp;oldid=prev"/>
		<updated>2023-02-14T20:01:34Z</updated>

		<summary type="html">&lt;p&gt;Text corrections - &amp;quot;an&amp;quot; to &amp;quot;and&amp;quot; / &amp;quot;last&amp;quot; to &amp;quot;lasts&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:01, 14 February 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tchaikovsky compiled his &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Suite from the ballet &amp;quot;[[The Nutcracker]]&amp;quot;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Сюита из бадета «Щелкунчик»), [[Op.]] 71a ([[TH]] 35 ; [[ČW]] 32), popularly known as &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Nutcracker Suite&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;, in January and February 1892. It was the only one of his three ballet suites to have been compiled &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;an &lt;/del&gt;published during the composer&amp;#039;s lifetime.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tchaikovsky compiled his &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Suite from the ballet &amp;quot;[[The Nutcracker]]&amp;quot;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Сюита из бадета «Щелкунчик»), [[Op.]] 71a ([[TH]] 35 ; [[ČW]] 32), popularly known as &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Nutcracker Suite&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;, in January and February 1892. It was the only one of his three ballet suites to have been compiled &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/ins&gt;published during the composer&amp;#039;s lifetime.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Instrumentation==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Instrumentation==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ol&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ol&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A complete performance of the Suite &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;last &lt;/del&gt;around 20 to 25 minutes.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A complete performance of the Suite &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lasts &lt;/ins&gt;around 20 to 25 minutes.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Composition==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Composition==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=57344&amp;oldid=prev</id>
		<title>Brett: /* Movements and Duration */</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=57344&amp;oldid=prev"/>
		<updated>2022-09-18T14:22:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Movements and Duration&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:22, 18 September 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Suite consists of eight numbers, grouped in three movements:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Suite consists of eight numbers, grouped in three movements:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ol style=&amp;quot;list-style-type: upper-roman;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ol style=&amp;quot;list-style-type: upper-roman;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Ouverture miniature&amp;#039;&amp;#039;. Allegro giusto (B-flat major, 182 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Corresponding to the Overture from the ballet&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;Ouverture miniature&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;. Allegro giusto (B-flat major, 182 bars)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Corresponding to the Overture from the ballet&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danses caractéristiques&amp;#039;&amp;#039;:&amp;lt;ol style=&amp;quot;list-style-type: lower-alpha;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;Danses caractéristiques&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;:&amp;lt;ol style=&amp;quot;list-style-type: lower-alpha;&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Marche&amp;#039;&amp;#039;. Tempo di marcia viva (G major, 88 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;&amp;#039;&amp;#039;March&amp;#039;&amp;#039; (Act I, No. 2) from the ballet.&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;Marche&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;. Tempo di marcia viva (G major, 88 bars)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;&amp;#039;&amp;#039;March&amp;#039;&amp;#039; (Act I, No. 2) from the ballet.&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse de la Fée Dragée&amp;#039;&amp;#039;. Andante non troppo (E minor, 52 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Variation 2 from the Pas de deux (Act II, No. 14) in the ballet, omitting the coda, usually known in English as &amp;#039;&amp;#039;Dance of the Sugar-Plum Fairy&amp;#039;&amp;#039;.&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;Danse de la Fée Dragée&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;. Andante non troppo (E minor, 52 bars)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Variation 2 from the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Pas de deux&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;(Act II, No. 14) in the ballet, omitting the coda, usually known in English as &amp;#039;&amp;#039;Dance of the Sugar-Plum Fairy&amp;#039;&amp;#039;.&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse russe. Trépak&amp;#039;&amp;#039;. Tempo di trépak, molto vivace (G major, 84 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Russian Dance (Trepak) in the ballet (Act II, No. 12d)&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;Danse russe. Trépak&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;. Tempo di trépak, molto vivace (G major, 84 bars)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Russian Dance (Trepak)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;in the ballet (Act II, No. 12d)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse arabe&amp;#039;&amp;#039;. Allegro (G minor, 102 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Coffee (Arab Dance) in the ballet (Act II, No. 12b)&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;Danse arabe&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;. Allegro (G minor, 102 bars)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Coffee (Arab Dance)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;in the ballet (Act II, No. 12b)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse chinoise&amp;#039;&amp;#039;. Allegro moderato (B-flat major, 32 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Tea (Chinese Dance) in the ballet (Act II, No. 12c).&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;Danse chinoise&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;. Allegro moderato (B-flat major, 32 bars)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Tea (Chinese Dance)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;in the ballet (Act II, No. 12c).&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse des mirlitons&amp;#039;&amp;#039;. Allegro (D major, 77 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Dance of the Reed-Flutes in the ballet (Act II, No. 12e).&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;/ol&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;Danse des mirlitons&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;. Allegro (D major, 77 bars)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Dance of the Reed-Flutes&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;in the ballet (Act II, No. 12e).&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;/ol&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Valse des fleurs&amp;#039;&amp;#039;. Tempo di valse (D major, 353 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Waltz of the Flowers in the ballet (Act II, No. 13)&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;Valse des fleurs&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;. Tempo di valse (D major, 353 bars)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Waltz of the Flowers&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;in the ballet (Act II, No. 13)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ol&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ol&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=57111&amp;oldid=prev</id>
		<title>Brett: /* Performances */</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=57111&amp;oldid=prev"/>
		<updated>2022-08-13T15:42:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Performances&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:42, 13 August 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot;&gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Moscow]], special RMS symphony concert, 14/28 February 1893, conducted by Tchaikovsky&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Moscow]], special RMS symphony concert, 14/28 February 1893, conducted by Tchaikovsky&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Moscow]], 1st Imperial Theatres symphony concert, 7/19 March 1893, conducted by Tchaikovsky&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Moscow]], 1st Imperial Theatres symphony concert, 7/19 March 1893, conducted by Tchaikovsky&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Amsterdam, Concertgebouw, matinee concert, 4/16 April 1893, conducted by [[Willem Kes]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[London]], Queen&amp;#039;s Hall, 5/17 October 1896, conducted by Henry Wood.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[London]], Queen&amp;#039;s Hall, 5/17 October 1896, conducted by Henry Wood.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=35000&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
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		<updated>2022-07-12T11:13:55Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:13, 12 July 2022&lt;/td&gt;
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&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=34999&amp;oldid=prev</id>
		<title>Brett at 09:08, 7 May 2021</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=The_Nutcracker_(suite)&amp;diff=34999&amp;oldid=prev"/>
		<updated>2021-05-07T09:08:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Tchaikovsky compiled his &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Suite from the ballet &amp;quot;[[The Nutcracker]]&amp;quot;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Сюита из бадета «Щелкунчик»), [[Op.]] 71a ([[TH]] 35 ; [[ČW]] 32), popularly known as &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Nutcracker Suite&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;, in January and February 1892. It was the only one of his three ballet suites to have been compiled an published during the composer&amp;#039;s lifetime.&lt;br /&gt;
&lt;br /&gt;
==Instrumentation==&lt;br /&gt;
The Suite is scored for an orchestra consisting of 3 flutes (3rd doubling piccolo), 2 oboes, English horn, 2 clarinets (in A, B-flat), bass clarinet (in B-flat), 2 bassoons + 4 horns (in F), 2 trumpets (in A), 3 trombones, tuba + 3 timpani, tambourine, triangle, cymbals, glockenspiel + celesta (or piano) + harp, violins I, violins II, violas, cellos, and double basses.&lt;br /&gt;
&lt;br /&gt;
==Movements and Duration==&lt;br /&gt;
The Suite consists of eight numbers, grouped in three movements:&lt;br /&gt;
&amp;lt;ol style=&amp;quot;list-style-type: upper-roman;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Ouverture miniature&amp;#039;&amp;#039;. Allegro giusto (B-flat major, 182 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Corresponding to the Overture from the ballet&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danses caractéristiques&amp;#039;&amp;#039;:&amp;lt;ol style=&amp;quot;list-style-type: lower-alpha;&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Marche&amp;#039;&amp;#039;. Tempo di marcia viva (G major, 88 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;&amp;#039;&amp;#039;March&amp;#039;&amp;#039; (Act I, No. 2) from the ballet.&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse de la Fée Dragée&amp;#039;&amp;#039;. Andante non troppo (E minor, 52 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Variation 2 from the Pas de deux (Act II, No. 14) in the ballet, omitting the coda, usually known in English as &amp;#039;&amp;#039;Dance of the Sugar-Plum Fairy&amp;#039;&amp;#039;.&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse russe. Trépak&amp;#039;&amp;#039;. Tempo di trépak, molto vivace (G major, 84 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Russian Dance (Trepak) in the ballet (Act II, No. 12d)&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse arabe&amp;#039;&amp;#039;. Allegro (G minor, 102 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Coffee (Arab Dance) in the ballet (Act II, No. 12b)&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse chinoise&amp;#039;&amp;#039;. Allegro moderato (B-flat major, 32 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Tea (Chinese Dance) in the ballet (Act II, No. 12c).&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Danse des mirlitons&amp;#039;&amp;#039;. Allegro (D major, 77 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Dance of the Reed-Flutes in the ballet (Act II, No. 12e).&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;/ol&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;#039;&amp;#039;Valse des fleurs&amp;#039;&amp;#039;. Tempo di valse (D major, 353 bars)&amp;lt;br/&amp;gt;&amp;lt;small&amp;gt;Waltz of the Flowers in the ballet (Act II, No. 13)&amp;lt;/small&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
A complete performance of the Suite last around 20 to 25 minutes.&lt;br /&gt;
&lt;br /&gt;
==Composition==&lt;br /&gt;
The Suite from the ballet &amp;#039;&amp;#039;[[The Nutcracker]]&amp;#039;&amp;#039; was compiled as a substitute for the symphonic ballad &amp;#039;&amp;#039;[[The Voyevoda (symphonic ballad)|The Voyevoda]]&amp;#039;&amp;#039; on the programme of a Russian Musical Society concert in [[Saint Petersburg]] scheduled for 29 February/12 March 1892, at which Tchaikovsky was due to conduct his own works. Having destroyed the score of the ballad &amp;#039;&amp;#039;[[The Voyevoda (symphonic ballad)|The Voyevoda]]&amp;#039;&amp;#039; following its premiere in November 1891, Tchaikovsky suggested replacing a suite of numbers from his new ballet &amp;#039;&amp;#039;[[The Nutcracker]]&amp;#039;&amp;#039;, which he was preparing to orchestrate &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
Among the surviving rough sketches of the ballet, and also among notes on the manuscripts and other documents, are a number of variants of titles of the Suite. Originally Tchaikovsky intended to call it &amp;#039;&amp;#039;&amp;#039;Suite from the ballet &amp;quot;The Fir Tree&amp;quot;&amp;#039;&amp;#039; (Сюита из балета «Елка») &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt;, or &amp;#039;&amp;#039;Suite from the ballet &amp;quot;The Christmas Tree&amp;quot;&amp;#039;&amp;#039; (Сюита из балета «Рождественская елка») &amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt;, suggesting that the title of the ballet had not yet been settled upon &amp;lt;ref name=&amp;quot;note4&amp;quot;/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
The earliest lists of numbers for the Suite also contained &amp;#039;&amp;#039;Chocolate (Spanish Dance)&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Final Waltz&amp;#039;&amp;#039;. The second movement — &amp;#039;&amp;#039;Danses caractéristiques&amp;#039;&amp;#039; — was to be called &amp;#039;&amp;#039;In the Kingdom of Sweets and Toys&amp;#039;&amp;#039; (В царстве лакомств и игруншек). The &amp;#039;&amp;#039;Danse des mirlitons&amp;#039;&amp;#039; was originally &amp;#039;&amp;#039;Reed Pipes&amp;#039;&amp;#039; (Свирелки), and the &amp;#039;&amp;#039;Danse de la Fée Dragée&amp;#039;&amp;#039; was to have been &amp;#039;&amp;#039;The Sweet Fairy&amp;#039;&amp;#039; (Фея конфект).&lt;br /&gt;
&lt;br /&gt;
Tchaikovsky had begun orchestrating the numbers in the Suite by 28 January/9 February 1892 &amp;lt;ref name=&amp;quot;note5&amp;quot;/&amp;gt;. By 31 January/12 February 1892 the first number of the Suite was ready &amp;lt;ref name=&amp;quot;note6&amp;quot;/&amp;gt;. According to the author&amp;#039;s note on the manuscript score, the orchestration was completed on 8/20 February, at [[Maydanovo]].&lt;br /&gt;
&lt;br /&gt;
==Performances==&lt;br /&gt;
The Suite was performed a week later than intended, at the ninth symphony concert of the [[Saint Petersburg]] branch of the Russian Musical Society on 7/19 March 1892, with Tchaikovsky conducting. The Suite quickly became a popular favourite, and other notable early performances included:&lt;br /&gt;
* [[Moscow]], 1st Electrical Exhibition concert, 4/16 July 1892, conducted by Vojtěch Hlaváč&lt;br /&gt;
* Chicago, Auditorium, 10/22 October 1892, conducted by [[Theodore Thomas]]&lt;br /&gt;
* [[Brussels]], 2/14 January 1893, conducted by Tchaikovsky&lt;br /&gt;
* [[Odessa]], 1st RMS symphony concert, 16/28 January 1893, conducted by Tchaikovsky&lt;br /&gt;
* [[Odessa]], Rishelyevskaya School charity concert, 21 January 1893/2 February, conducted by Tchaikovsky (2 unspecified movements only)&lt;br /&gt;
* [[Odessa]], 3rd RMS symphony concert, 24 January/5 February 1893, conducted by Tchaikovsky&lt;br /&gt;
* [[Moscow]], special RMS symphony concert, 14/28 February 1893, conducted by Tchaikovsky&lt;br /&gt;
* [[Moscow]], 1st Imperial Theatres symphony concert, 7/19 March 1893, conducted by Tchaikovsky&lt;br /&gt;
* [[London]], Queen&amp;#039;s Hall, 5/17 October 1896, conducted by Henry Wood.&lt;br /&gt;
&lt;br /&gt;
==Publication==&lt;br /&gt;
On 9/21 March the composer wrote to [[Pyotr Jurgenson]]: &amp;quot;The suite from the ballet was successful. I don&amp;#039;t think it would hurt to print it&amp;quot; &amp;lt;ref name=&amp;quot;note7&amp;quot;/&amp;gt;. The full score of the suite was issued by [[Jurgenson]] in May 1892, and the orchestral parts the following month.&lt;br /&gt;
&lt;br /&gt;
The score of the Suite was not published separately from the ballet in Tchaikovsky&amp;#039;s &amp;#039;&amp;#039;[[Complete Collected Works]]&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
==Autographs==&lt;br /&gt;
At the request of the Russian Musical Society, Tchaikovsky donated the manuscript full score of the Suite to the library of the [[Saint Petersburg]] Conservatory, and it carries the inscriptions: &amp;quot;To the [[Saint Petersburg]] Conservatory, as a souvenir of the concert on 7 March 1892. P. Tchaikovsky&amp;quot; &amp;lt;ref name=&amp;quot;note8&amp;quot;/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
For many years the full score was believed to have been lost, until it was discovered by chance by the conductor Yevgeny Zablotsky among some unrelated papers in 1946. It is now preserved in the [[Klin]] House-Museum Archive (a{{sup|1}}, No. 46), and consists of pages extracted from the full score of the [[The Nutcracker|ballet]].&lt;br /&gt;
&lt;br /&gt;
==Recordings==&lt;br /&gt;
{{reclink}}&lt;br /&gt;
&lt;br /&gt;
==Related Works==&lt;br /&gt;
: &amp;#039;&amp;#039;See [[The Nutcracker]]&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* {{imslpscore|The_Nutcracker_(suite),_Op.71a_(Tchaikovsky,_Pyotr)|The Nutcracker (suite)}}&lt;br /&gt;
&lt;br /&gt;
==Notes and References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;See [[Letter 4604]] to [[Pyotr Jurgenson]], 25 January/6 February 1892.&amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;See the sketchbook for the ballet — [[Klin]] House-Museum Archive.&amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;See the title page of the manuscript full score of the Suite.&amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;ref name=&amp;quot;note4&amp;quot;&amp;gt;See [[Letter 4634]] to [[Pyotr Jurgenson]], 6/18 March 1892.&amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;ref name=&amp;quot;note5&amp;quot;&amp;gt;See [[Letter 4606]] to [[Pyotr Jurgenson]], 28 January/9 February 1892.&amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;ref name=&amp;quot;note6&amp;quot;&amp;gt;See [[Letter 4610]] to [[Modest Tchaikovsky]], 31 January/12 February 1892.&amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;ref name=&amp;quot;note7&amp;quot;&amp;gt;See [[Letter 4641]] to [[Pyotr Jurgenson]], 9/21 March 1892.&amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;ref name=&amp;quot;note8&amp;quot;&amp;gt;See also [[Letter 4643]] to [[Pyotr Jurgenson]]. 14/26 March 1892.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
[[Category:Suites]]&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
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