Vasily Safonov - Revision history

Brett: /* Correspondence with Tchaikovsky */

2024-09-03T17:59:35Z

Correspondence with Tchaikovsky

← Older revision		Revision as of 19:59, 3 September 2024
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	==Correspondence with Tchaikovsky==		==Correspondence with Tchaikovsky==
	20 letters from Tchaikovsky to Vasily Safonov have survived, dating from 1885 to 1893, of which ~~those highlighted in bold~~ have been translated into English on this website:		20 letters from Tchaikovsky to Vasily Safonov have survived, dating from 1885 to 1893, all of which have been translated into English on this website:
	* '''[[Letter 2735]]''' – 10/22 July 1885, from [[Maydanovo]]		* '''[[Letter 2735]]''' – 10/22 July 1885, from [[Maydanovo]]
	* '''[[Letter 2742]]''' – 26 July/7 August 1885, from [[Maydanovo]]		* '''[[Letter 2742]]''' – 26 July/7 August 1885, from [[Maydanovo]]
	* [[Letter 2748]] – 15/27 August 1885, from [[Maydanovo]]		* '''[[Letter 2748]]''' – 15/27 August 1885, from [[Maydanovo]]
	* [[Letter 2756]] – 30 August/11 September 1885, from [[Maydanovo]]		* '''[[Letter 2756]]''' – 30 August/11 September 1885, from [[Maydanovo]]
	* '''[[Letter 2893]]''' – 19 February/3 March 1886, from [[Maydanovo]]		* '''[[Letter 2893]]''' – 19 February/3 March 1886, from [[Maydanovo]]
	* '''[[Letter 3763a]]''' – 9/21 January 1889, from [[Frolovskoye]]		* '''[[Letter 3763a]]''' – 9/21 January 1889, from [[Frolovskoye]]

Brett: /* Correspondence with Tchaikovsky */

2024-08-13T13:00:08Z

Correspondence with Tchaikovsky

← Older revision		Revision as of 15:00, 13 August 2024
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	==Correspondence with Tchaikovsky==		==Correspondence with Tchaikovsky==
	20 letters from Tchaikovsky to Vasily Safonov have survived, dating from 1885 to 1893, of which those highlighted in bold have been translated into English on this website:		20 letters from Tchaikovsky to Vasily Safonov have survived, dating from 1885 to 1893, of which those highlighted in bold have been translated into English on this website:
	* [[Letter 2735]] – 10/22 July 1885, from [[Maydanovo]]		* '''[[Letter 2735]]''' – 10/22 July 1885, from [[Maydanovo]]
	* [[Letter 2742]] – 26 July/7 August 1885, from [[Maydanovo]]		* '''[[Letter 2742]]''' – 26 July/7 August 1885, from [[Maydanovo]]
	* [[Letter 2748]] – 15/27 August 1885, from [[Maydanovo]]		* [[Letter 2748]] – 15/27 August 1885, from [[Maydanovo]]
	* [[Letter 2756]] – 30 August/11 September 1885, from [[Maydanovo]]		* [[Letter 2756]] – 30 August/11 September 1885, from [[Maydanovo]]

Brett: /* Correspondence with Tchaikovsky */

2024-07-13T15:49:21Z

Correspondence with Tchaikovsky

← Older revision		Revision as of 17:49, 13 July 2024
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	* '''[[Letter 2893]]''' – 19 February/3 March 1886, from [[Maydanovo]]		* '''[[Letter 2893]]''' – 19 February/3 March 1886, from [[Maydanovo]]
	* '''[[Letter 3763a]]''' – 9/21 January 1889, from [[Frolovskoye]]		* '''[[Letter 3763a]]''' – 9/21 January 1889, from [[Frolovskoye]]
	* [[Letter 3891]] – 30 June/12 July 1889, from [[Frolovskoye]]		* '''[[Letter 3891]]''' – 30 June/12 July 1889, from [[Frolovskoye]]
	* '''[[Letter 3963]]''' – between 20 October/1 November and 27 October/8 November 1889, from [[Moscow]]		* '''[[Letter 3963]]''' – between 20 October/1 November and 27 October/8 November 1889, from [[Moscow]]
	* '''[[Letter 3982]]''' – 10/22 December 1889, from [[Saint Petersburg]]		* '''[[Letter 3982]]''' – 10/22 December 1889, from [[Saint Petersburg]]
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	* '''[[Letter 4861]]''' – 8/20 February 1893, from [[Klin]]		* '''[[Letter 4861]]''' – 8/20 February 1893, from [[Klin]]
	* '''[[Letter 4863]]''' – 10/22 February 1893, from [[Klin]]		* '''[[Letter 4863]]''' – 10/22 February 1893, from [[Klin]]
	* [[Letter 4960]] – 23 June/5 July 1893, from [[Grankino]]		* '''[[Letter 4960]]''' – 23 June/5 July 1893, from [[Grankino]]
	* [[Letter 4966]] – 3/15 July 1893, from [[Grankino]]		* '''[[Letter 4966]]''' – 3/15 July 1893, from [[Grankino]]
	* '''[[Letter 4990]]''' – 26 July/7 August 1893, from [[Klin]]		* '''[[Letter 4990]]''' – 26 July/7 August 1893, from [[Klin]]
	* '''[[Letter 5007]]''' – 12/24 August 1893, from [[Klin]]		* '''[[Letter 5007]]''' – 12/24 August 1893, from [[Klin]]

Brett: /* Correspondence with Tchaikovsky */

2024-03-14T16:23:46Z

Correspondence with Tchaikovsky

← Older revision		Revision as of 18:23, 14 March 2024
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	* [[Letter 2748]] – 15/27 August 1885, from [[Maydanovo]]		* [[Letter 2748]] – 15/27 August 1885, from [[Maydanovo]]
	* [[Letter 2756]] – 30 August/11 September 1885, from [[Maydanovo]]		* [[Letter 2756]] – 30 August/11 September 1885, from [[Maydanovo]]
	* [[Letter 2893]] – 19 February/3 March 1886, from [[Maydanovo]]		* '''[[Letter 2893]]''' – 19 February/3 March 1886, from [[Maydanovo]]
	* '''[[Letter 3763a]]''' – 9/21 January 1889, from [[Frolovskoye]]		* '''[[Letter 3763a]]''' – 9/21 January 1889, from [[Frolovskoye]]
	* [[Letter 3891]] – 30 June/12 July 1889, from [[Frolovskoye]]		* [[Letter 3891]] – 30 June/12 July 1889, from [[Frolovskoye]]

Brett: /* Dedications */

2023-09-23T14:20:11Z

Dedications

← Older revision		Revision as of 16:20, 23 September 2023
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	==Dedications==		==Dedications==
	In 1893, Tchaikovsky dedicated his piano piece ''Méditation'' — No. 5 of the [[Eighteen Pieces, Op. 72]] — ~~to Vasily Safonov~~.		In 1893, Tchaikovsky dedicated his piano piece ''Méditation'' — No. 5 of the [[Eighteen Pieces, Op. 72]] — "à Mr. Basile Safonoff".

	==Correspondence with Tchaikovsky==		==Correspondence with Tchaikovsky==

Brett at 19:56, 21 August 2023

2023-08-21T19:56:40Z

← Older revision		Revision as of 21:56, 21 August 2023
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	{{picture\|file=Vasily Safonov.jpg\|caption='''Vasily Safonov''' (1852-1918)}}		{{picture\|file=Vasily Safonov.jpg\|caption='''Vasily Safonov''' (1852-1918), in an 1883 portrait by Nikolay Bodarevsky}}
	Russian pianist and conductor (b. 25 January/6 February 1852 in Itsiursk, near Terel; d. 14/27 February 1918 in Kislovodsk), born '''''Vasily Ilyich Safonov''''' (Василий Ильич Сафонов); also known outside Russia as '''''Wassily Safonoff'''''.		Russian pianist and conductor (b. 25 January/6 February 1852 in Itsiursk, near Terel; d. 14/27 February 1918 in Kislovodsk), born '''''Vasily Ilyich Safonov''''' (Василий Ильич Сафонов); also known outside Russia as '''''Wassily Safonoff'''''.

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	* '''[[Letter 5055]]''' – 2/14 October 1893, from [[Klin]]		* '''[[Letter 5055]]''' – 2/14 October 1893, from [[Klin]]

	33 letters from Safonov to the composer, dating from 1885 to 1893, are preserved in the {{RUS-KLč}} at [[Klin]].		33 letters from Safonov to the composer, dating from 1885 to 1893, are preserved in the {{RUS-KLč}} at [[Klin]] (a{{sup\|4}}, Nos. 3890–3922).

	==Bibliography==		==Bibliography==
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	[[Category:Dedicatees\|Safonov, Vasily]]		[[Category:Dedicatees\|Safonov, Vasily]]
	[[Category:Pianists\|Safonov, Vasily]]		[[Category:Pianists\|Safonov, Vasily]]
			__NOTOC__

Brett: Text replacement - "Klin House-Museum Archive" to "{{RUS-KLč}} at Klin"

2023-08-08T07:57:22Z

Text replacement - "Klin House-Museum Archive" to "{{RUS-KLč}} at Klin"

← Older revision		Revision as of 09:57, 8 August 2023
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	* '''[[Letter 5055]]''' – 2/14 October 1893, from [[Klin]]		* '''[[Letter 5055]]''' – 2/14 October 1893, from [[Klin]]

	33 letters from Safonov to the composer, dating from 1885 to 1893, are preserved in the [[Klin]] ~~House-Museum Archive~~.		33 letters from Safonov to the composer, dating from 1885 to 1893, are preserved in the {{RUS-KLč}} at [[Klin]].

	==Bibliography==		==Bibliography==

Tony at 10:54, 28 November 2022

2022-11-28T10:54:14Z

← Older revision		Revision as of 12:54, 28 November 2022
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	Subsequent relations between the two men improved to an extent, and at the RMS concert in [[Moscow]] on 14/26 February 1893 conducted by Tchaikovsky, Safonov played the celesta in the orchestral [[The Nutcracker (suite)\|suite]] from ''[[The Nutcracker]]'' ballet (in the ''Dance of the Sugar Plum Fairy''). The unusual sound of this instrument caused a strong impression on the audience, and at the end of this concert Safonov asked the composer if they could patch up their earlier quarrel. Tchaikovsky agreed and later that year he dedicated his piano piece ''Méditation'' — No. 5 of the [[Eighteen Pieces, Op. 72]] — to Safonov. The latter was a genuine admirer of Tchaikovsky's music, and after the composer's death Safonov would conduct the first official performance in Moscow of the ''[[Pathétique]]'' on 4/16 December 1893 <ref name="note1"/>.		Subsequent relations between the two men improved to an extent, and at the RMS concert in [[Moscow]] on 14/26 February 1893 conducted by Tchaikovsky, Safonov played the celesta in the orchestral [[The Nutcracker (suite)\|suite]] from ''[[The Nutcracker]]'' ballet (in the ''Dance of the Sugar Plum Fairy''). The unusual sound of this instrument caused a strong impression on the audience, and at the end of this concert Safonov asked the composer if they could patch up their earlier quarrel. Tchaikovsky agreed and later that year he dedicated his piano piece ''Méditation'' — No. 5 of the [[Eighteen Pieces, Op. 72]] — to Safonov. The latter was a genuine admirer of Tchaikovsky's music, and after the composer's death Safonov would conduct the first official performance in Moscow of the ''[[Pathétique]]'' on 4/16 December 1893 <ref name="note1"/>.

	In 1889 Safonov succeeded [[Max Erdmannsdörfer]] as principal conductor of the Russian Musical Society concerts in [[Moscow]], where in his later years he was one of the first conductors to dispense with a baton. After being invited to [[New York]] as guest conductor of the Philharmonic Society Orchestra in 1904, he returned to become its sole conductor from 1906 to 1909, while concurrently serving as director of the National Conservatory of Music in the city.		In 1889, Safonov succeeded [[Max Erdmannsdörfer]] as principal conductor of the Russian Musical Society concerts in [[Moscow]], where in his later years he was one of the first conductors to dispense with a baton. After being invited to [[New York]] as guest conductor of the Philharmonic Society Orchestra in 1904, he returned to become its sole conductor from 1906 to 1909, while concurrently serving as director of the National Conservatory of Music in the city.

	After returning to Russia in 1909, he resumed his conducting position with the RMS in [[Moscow]] (where he remained until 1912), and also performed in chamber ensembles. In 1916 his guide to piano technique, entitled ''A New Formula'' (Новая формула) was published in Russian and English		After returning to Russia in 1909, he resumed his conducting position with the RMS in [[Moscow]] (where he remained until 1912), and also performed in chamber ensembles. In 1916 his guide to piano technique, entitled ''A New Formula'' (Новая формула), was published in Russian and English.

	==Dedications==		==Dedications==
	In 1893 Tchaikovsky dedicated his piano piece ''Méditation'' — No. 5 of the [[Eighteen Pieces, Op. 72]] — to Vasily Safonov.		In 1893, Tchaikovsky dedicated his piano piece ''Méditation'' — No. 5 of the [[Eighteen Pieces, Op. 72]] — to Vasily Safonov.

	==Correspondence with Tchaikovsky==		==Correspondence with Tchaikovsky==

Tony: Text replacement - "Itsiurksk" to "Itsiursk"

2022-11-28T10:44:19Z

Text replacement - "Itsiurksk" to "Itsiursk"

← Older revision		Revision as of 12:44, 28 November 2022
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	{{picture\|file=Vasily Safonov.jpg\|caption='''Vasily Safonov''' (1852-1918)}}		{{picture\|file=Vasily Safonov.jpg\|caption='''Vasily Safonov''' (1852-1918)}}
	Russian pianist and conductor (b. 25 January/6 February 1852 in ~~Itsiurksk~~, near Terel; d. 14/27 February 1918 in Kislovodsk), born '''''Vasily Ilyich Safonov''''' (Василий Ильич Сафонов); also known outside Russia as '''''Wassily Safonoff'''''.		Russian pianist and conductor (b. 25 January/6 February 1852 in Itsiursk, near Terel; d. 14/27 February 1918 in Kislovodsk), born '''''Vasily Ilyich Safonov''''' (Василий Ильич Сафонов); also known outside Russia as '''''Wassily Safonoff'''''.

	==Biography==		==Biography==
	Safonov was the son of a Cossack general who left the Caucasus in 1862 to settle in [[Saint Petersburg]]. Here Vasily attended the prestigious Lyceum at nearby [[Tsarskoye Selo]] and took piano lessons with Teodor Leszetycki (1830–1915). Like Tchaikovsky, he began his career in the civil service. After seven years Safonov resigned his post and enrolled at the [[Saint Petersburg]] Conservatory in 1879, where he studied music theory under [[Nikolay Zaremba]] and piano with Louis Brassin, graduating with a gold medal in 1880.		Safonov was the son of a Cossack general who left the Caucasus in 1862 to settle in [[Saint Petersburg]]. Here Vasily attended the prestigious Lyceum at nearby [[Tsarskoye Selo]] and took piano lessons with Teodor Leszetycki (1830–1915). Like Tchaikovsky, he began his career in the civil service. After seven years, Safonov resigned his post and enrolled at the [[Saint Petersburg]] Conservatory in 1879, where he studied music theory under [[Nikolay Zaremba]] and piano with Louis Brassin, graduating with a gold medal in 1880.

	==Tchaikovsky and Safonov==		==Tchaikovsky and Safonov==
	After a spell teaching at the [[Saint Petersburg]] Conservatory, he became professor of piano at the [[Moscow]] Conservatory in 1885 on Tchaikovsky's recommendation. In 1889 he succeeded [[Sergey Taneyev]] as the conservatory's director. Although Tchaikovsky initially welcomed this appointment, recognising Safonov's skills as an administrator, he began to believe that the latter's style was too autocratic and disrespectful of the traditions of the institution. In particular, Tchaikovsky was angered by Safonov's decision not to appoint [[Anatoly Brandukov]] as the successor of [[Wilhelm Fitzenhagen]] upon the latter's untimely death in 1890. [[Brandukov]] had been a loyal friend of [[Nikolay Rubinstein]], and Tchaikovsky felt that he deserved the post of cello professor at the Conservatory far more than Safonov's appointee [[Alfred von Glenn]]. These differences of view led to Tchaikovsky's resignation as a director of the Russian Musical Society (RMS) in [[Moscow]].		After a spell teaching at the [[Saint Petersburg]] Conservatory, he became professor of piano at the [[Moscow]] Conservatory in 1885 on Tchaikovsky's recommendation. In 1889, he succeeded [[Sergey Taneyev]] as the conservatory's director. Although Tchaikovsky initially welcomed this appointment, recognising Safonov's skills as an administrator, he began to believe that the latter's style was too autocratic and disrespectful of the traditions of the institution. In particular, Tchaikovsky was angered by Safonov's decision not to appoint [[Anatoly Brandukov]] as the successor of [[Wilhelm Fitzenhagen]] upon the latter's untimely death in 1890. [[Brandukov]] had been a loyal friend of [[Nikolay Rubinstein]], and Tchaikovsky felt that he deserved the post of cello professor at the Conservatory far more than Safonov's appointee [[Alfred von Glenn]]. These differences of view led to Tchaikovsky's resignation as a director of the Russian Musical Society (RMS) in [[Moscow]].

	Subsequent relations between the two men improved to an extent, and at the RMS concert in [[Moscow]] on 14/26 February 1893 conducted by Tchaikovsky, Safonov played the celesta in the orchestral [[The Nutcracker (suite)\|suite]] from ''[[The Nutcracker]]'' ballet (in the ''Dance of the Sugar Plum Fairy''). The unusual sound of this instrument caused a strong impression on the audience, and at the end of this concert Safonov asked the composer if they could patch up their earlier quarrel. Tchaikovsky agreed and later that year he dedicated his piano piece ''Méditation'' — No. 5 of the [[Eighteen Pieces, Op. 72]] — to Safonov. The latter was a genuine admirer of Tchaikovsky's music and after the composer's death Safonov would conduct the first official performance in Moscow of the ''[[Pathétique]]'' on 4/16 December 1893 <ref name="note1"/>.		Subsequent relations between the two men improved to an extent, and at the RMS concert in [[Moscow]] on 14/26 February 1893 conducted by Tchaikovsky, Safonov played the celesta in the orchestral [[The Nutcracker (suite)\|suite]] from ''[[The Nutcracker]]'' ballet (in the ''Dance of the Sugar Plum Fairy''). The unusual sound of this instrument caused a strong impression on the audience, and at the end of this concert Safonov asked the composer if they could patch up their earlier quarrel. Tchaikovsky agreed and later that year he dedicated his piano piece ''Méditation'' — No. 5 of the [[Eighteen Pieces, Op. 72]] — to Safonov. The latter was a genuine admirer of Tchaikovsky's music, and after the composer's death Safonov would conduct the first official performance in Moscow of the ''[[Pathétique]]'' on 4/16 December 1893 <ref name="note1"/>.

	In 1889 Safonov succeeded [[Max Erdmannsdörfer]] as principal conductor of the Russian Musical Society concerts in [[Moscow]], where in his later years he was one of the first conductors to dispense with a baton. After being invited to [[New York]] as guest conductor of the Philharmonic Society Orchestra in 1904, he returned to become its sole conductor from 1906 to 1909, while concurrently serving as director of the National Conservatory of Music in the city.		In 1889 Safonov succeeded [[Max Erdmannsdörfer]] as principal conductor of the Russian Musical Society concerts in [[Moscow]], where in his later years he was one of the first conductors to dispense with a baton. After being invited to [[New York]] as guest conductor of the Philharmonic Society Orchestra in 1904, he returned to become its sole conductor from 1906 to 1909, while concurrently serving as director of the National Conservatory of Music in the city.

Brett: 1 revision imported

2022-07-12T11:20:24Z

1 revision imported

← Older revision	Revision as of 13:20, 12 July 2022
(No difference)